All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 
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Edgar Degas Roman Beggar Woman oil on canvas


Roman Beggar Woman
Roman Beggar Woman
Painting ID::  854 		  1857 100.25 x 75.25cm City Museum & Art Gallery, Birmingham
  1857 100.25 x 75.25cm City Museum & Art Gallery, Birmingham

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Edgar Degas A Woman Having her Hair Combed oil on canvas


A Woman Having her Hair Combed
A Woman Having her Hair Combed
Painting ID::  855 		  1886-88
  1886-88

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Edgar Degas Three Women Combing their Hair oil on canvas


Three Women Combing their Hair
Three Women Combing their Hair
Painting ID::  856 		  1875-76 13.5" x 18.5" Phillips Collection, Washington DC
  1875-76 13.5" x 18.5" Phillips Collection, Washington DC

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Edgar Degas Seated Woman Combing her Hair oil on canvas


Seated Woman Combing her Hair
Seated Woman Combing her Hair
Painting ID::  857 		  1887-89
  1887-89

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Edgar Degas Woman Combing her Hair_d oil on canvas


Woman Combing her Hair_d
Woman Combing her Hair_d
Painting ID::  858 		  c. 1886 Pastel on cardboard 21 x 20 1/2 in. (53 x 52 cm) Hermitage, St Petersburg
  c. 1886 Pastel on cardboard 21 x 20 1/2 in. (53 x 52 cm) Hermitage, St Petersburg

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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