All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 
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Edgar Degas Ballet Rehearsal oil on canvas


Ballet Rehearsal
Ballet Rehearsal
Painting ID::  799 		  1891 Yale Unverstity
  1891 Yale Unverstity

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Edgar Degas 1891 Yale Unverstity oil on canvas


1891 Yale Unverstity
1891 Yale Unverstity
Painting ID::  800 		  1899 151.1 x 180.2 cm (59 1/2 x 71 in.) National Gallery of Art, Washington
  1899 151.1 x 180.2 cm (59 1/2 x 71 in.) National Gallery of Art, Washington

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Edgar Degas Dance Class oil on canvas


Dance Class
Dance Class
Painting ID::  801 		  1871 Metropolitan Museum of Art, New York
  1871 Metropolitan Museum of Art, New York

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Edgar Degas Dance Foyer at the Opera oil on canvas


Dance Foyer at the Opera
Dance Foyer at the Opera
Painting ID::  802 		 
 

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Edgar Degas Dancers in Blue oil on canvas


Dancers in Blue
Dancers in Blue
Painting ID::  803 		  1890 85 x 75.5cm Musee d'Orsay, Paris
  1890 85 x 75.5cm Musee d'Orsay, Paris

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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