All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas Portraits dans un Bureau,Nouvelle Orleans oil on canvas


Portraits dans un Bureau,Nouvelle Orleans
Portraits dans un Bureau,Nouvelle Orleans
Painting ID::  34619
  mk94 1873
  mk94 1873

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  INS/CM       Quality

X

  

Edgar Degas L-Absintbe oil on canvas


L-Absintbe
L-Absintbe
Painting ID::  34620
  mk94 1876
  mk94 1876

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X

  

Edgar Degas Acbille de Gas en Aspirant de Marine oil on canvas


Acbille de Gas en Aspirant de Marine
Acbille de Gas en Aspirant de Marine
Painting ID::  34644
  mk94 1856-57
  mk94 1856-57

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  INS/CM       Quality

X

  

Edgar Degas M.et M Edmond Morbilli oil on canvas


M.et M Edmond Morbilli
M.et M Edmond Morbilli
Painting ID::  34645
  mk94 1865
  mk94 1865

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Edgar Degas Henri de Gas et sa niece Lucy oil on canvas


Henri de Gas et sa niece Lucy
Henri de Gas et sa niece Lucy
Painting ID::  34646
  mk94 1876
  mk94 1876

Height    Width


  INS/CM       Quality

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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