All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas Woman at her Bath oil on canvas


Woman at her Bath
Woman at her Bath
Painting ID::  874
 
 

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Edgar Degas Retiring oil on canvas


Retiring
Retiring
Painting ID::  875
  1883
  1883

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Edgar Degas The Tub_z oil on canvas


The Tub_z
The Tub_z
Painting ID::  876
  1886 24 x 33in (60 x 83cm) Musee d'Orsay, Paris
  1886 24 x 33in (60 x 83cm) Musee d'Orsay, Paris

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Edgar Degas Portrait after a Costume Ball oil on canvas


Portrait after a Costume Ball
Portrait after a Costume Ball
Painting ID::  877
  1877-79 The Art Institute of Chicago
  1877-79 The Art Institute of Chicago

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Edgar Degas Edmond Duranty oil on canvas


Edmond Duranty
Edmond Duranty
Painting ID::  878
  1879 Tempera and pastel on canvas 39 3/8 x 39 3/8 in (100.6 x 100.6 cm) Glasgow Museums and Art Galleries
  1879 Tempera and pastel on canvas 39 3/8 x 39 3/8 in (100.6 x 100.6 cm) Glasgow Museums and Art Galleries

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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