All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas Before the race oil on canvas


Before the race
Before the race
Painting ID::  49939
  mk206 1882 Oil on canvas 30.5x47.6cm
  mk206 1882 Oil on canvas 30.5x47.6cm

Height    Width


  INS/CM       Quality

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Edgar Degas dancer wearing shoes oil on canvas


dancer wearing shoes
dancer wearing shoes
Painting ID::  49940
  mk206 1880-1885 Oil on canvas
  mk206 1880-1885 Oil on canvas

Height    Width


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Edgar Degas dancer wearing shoes oil on canvas


dancer wearing shoes
dancer wearing shoes
Painting ID::  49941
  mk206 1882-1885 Oil on canvas
  mk206 1882-1885 Oil on canvas

Height    Width


  INS/CM       Quality

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Edgar Degas Before the race oil on canvas


Before the race
Before the race
Painting ID::  49942
  mk206 1882 Oil on canvas 26.5x34.9cm
  mk206 1882 Oil on canvas 26.5x34.9cm

Height    Width


  INS/CM       Quality

X

  

Edgar Degas Reinsman  before race oil on canvas


Reinsman before race
Reinsman before race
Painting ID::  49943
  mk206 1878-1880 Oil on canvas 107.3x70.3cm
  mk206 1878-1880 Oil on canvas 107.3x70.3cm

Height    Width


  INS/CM       Quality

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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