All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas The conversation in the store oil on canvas


The conversation in the store
The conversation in the store
Painting ID::  49949
  mk206 about 1882 Oil on canvas 65x86cm
  mk206 about 1882 Oil on canvas 65x86cm

Height    Width


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Edgar Degas Waiting oil on canvas


Waiting
Waiting
Painting ID::  49950
  mk206 about 1882 Oil on canvas 48.2x61cm
  mk206 about 1882 Oil on canvas 48.2x61cm

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Edgar Degas ballerina  on the stage oil on canvas


ballerina on the stage
ballerina on the stage
Painting ID::  49951
  mk206 1883 Oil on tempera 64.8x50.8cm
  mk206 1883 Oil on tempera 64.8x50.8cm

Height    Width


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Edgar Degas woman towel off her body after  bath oil on canvas


woman towel off her body after bath
woman towel off her body after bath
Painting ID::  49952
  mk206 1882-1885 Oil on tempera 72x58cm
  mk206 1882-1885 Oil on tempera 72x58cm

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Edgar Degas After bath oil on canvas


After bath
After bath
Painting ID::  49953
  mk206 1883-1884 Oil on canvas 52x32cm
  mk206 1883-1884 Oil on canvas 52x32cm

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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