All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas Cornfield and tree line oil on canvas


Cornfield and tree line
Cornfield and tree line
Painting ID::  49979
  mk206 1890-1892 Oil on canvas 25.5x34.5cm
  mk206 1890-1892 Oil on canvas 25.5x34.5cm

Height    Width


  INS/CM       Quality

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Edgar Degas Pink and green oil on canvas


Pink and green
Pink and green
Painting ID::  49980
  mk206 1894 Oil on canvas 67x47.6cm
  mk206 1894 Oil on canvas 67x47.6cm

Height    Width


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Edgar Degas Before the performance oil on canvas


Before the performance
Before the performance
Painting ID::  49981
  mk206 1890-1892 Oil on canvas 40x88.9cm
  mk206 1890-1892 Oil on canvas 40x88.9cm

Height    Width


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Edgar Degas Before the performance oil on canvas


Before the performance
Before the performance
Painting ID::  49982
  mk206 1893-1898 Oil on canvas 70x200.5cm
  mk206 1893-1898 Oil on canvas 70x200.5cm

Height    Width


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Edgar Degas Bath oil on canvas


Bath
Bath
Painting ID::  49983
  mk206 about 1895 Oil on canvas 81.3x117.5cm
  mk206 about 1895 Oil on canvas 81.3x117.5cm

Height    Width


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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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