All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 
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Edgar Degas Ballet class oil on canvas


Ballet class
Ballet class
Painting ID::  50067 		  mk206 about 1880 Oil on canvas 62x50.5cm
  mk206 about 1880 Oil on canvas 62x50.5cm

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Edgar Degas Dancer in ther front of Photographer oil on canvas


Dancer in ther front of Photographer
Dancer in ther front of Photographer
Painting ID::  50642 		  mk213 Oil on canvas
  mk213 Oil on canvas

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Edgar Degas The Portrait of Martelli oil on canvas


The Portrait of Martelli
The Portrait of Martelli
Painting ID::  50858 		  mk216 a Florentine art critic,seen in his study,carpet slippered,in his shirt-sleeves abd anud a cibfysuib if oaoers
  mk216 a Florentine art critic,seen in his study,carpet slippered,in his shirt-sleeves abd anud a cibfysuib if oaoers

Height    Width


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Edgar Degas Madame Rene de Gas oil on canvas


Madame Rene de Gas
Madame Rene de Gas
Painting ID::  53899 		  mk234 1872/73 73x92cm
  mk234 1872/73 73x92cm

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Edgar Degas Four dansoser oil on canvas


Four dansoser
Four dansoser
Painting ID::  53900 		  mk234 about 1899 151x180cm
  mk234 about 1899 151x180cm

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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