All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas dancers oil on canvas


dancers
dancers
Painting ID::  66440
  mk289 1902 pastel 83x112cm private collection
  mk289 1902 pastel 83x112cm private collection

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Edgar Degas absint oil on canvas


absint
absint
Painting ID::  67789
  1876/1877 se
  1876/1877 se

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Edgar Degas pellegrini oil on canvas


pellegrini
pellegrini
Painting ID::  67790
  carlo pellegrini 1876/1877 se
  carlo pellegrini 1876/1877 se

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Edgar Degas pa kapplopningsbanan oil on canvas


pa kapplopningsbanan
pa kapplopningsbanan
Painting ID::  67791
  1869/1872 se
  1869/1872 se

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Edgar Degas Madame Camus oil on canvas


Madame Camus
Madame Camus
Painting ID::  68492
  Madame Camus (1869?C1870, Edgar Degas) located inside the National Gallery of Art's West Building in Washington, D.C.
  Madame Camus (1869?C1870, Edgar Degas) located inside the National Gallery of Art's West Building in Washington, D.C.

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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