All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 
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Edgar Degas Cabaret oil on canvas


Cabaret
Cabaret
Painting ID::  833 		  1877 Pastel over monotype on paper 9 1/2 x 17 1/2 in. (24.1 x 44.5 cm) Corcoran Gallery of Art, Washington
  1877 Pastel over monotype on paper 9 1/2 x 17 1/2 in. (24.1 x 44.5 cm) Corcoran Gallery of Art, Washington

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Edgar Degas La La at the Cirque Fernando oil on canvas


La La at the Cirque Fernando
La La at the Cirque Fernando
Painting ID::  835 		  1879 46 x 30 1/2 in. (117 x 77.5 cm) National Gallery, London
  1879 46 x 30 1/2 in. (117 x 77.5 cm) National Gallery, London

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Edgar Degas The Orchestra of the Opera oil on canvas


The Orchestra of the Opera
The Orchestra of the Opera
Painting ID::  836 		  1870 20 7/8" x 13 3/4" Musee d'Orsay, Paris
  1870 20 7/8" x 13 3/4" Musee d'Orsay, Paris

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Edgar Degas The Song of the Dog oil on canvas


The Song of the Dog
The Song of the Dog
Painting ID::  837 		  1876-77
  1876-77

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Edgar Degas Madame Camus oil on canvas


Madame Camus
Madame Camus
Painting ID::  838 		  1870 28 5/8 x 36 1/4 in (72.7 x 92.1 cm) National Gallery of Art, Washington
  1870 28 5/8 x 36 1/4 in (72.7 x 92.1 cm) National Gallery of Art, Washington

Height    Width


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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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