All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas A view of lady with dressing up oil on canvas


A view of lady with dressing up
A view of lady with dressing up
Painting ID::  49969
  mk206 1886-1888 Oil on canvas 70.5x58.5cm
  mk206 1886-1888 Oil on canvas 70.5x58.5cm

Height    Width


  INS/CM       Quality

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Edgar Degas The lady hackled hair oil on canvas


The lady hackled hair
The lady hackled hair
Painting ID::  49970
  mk206 1886-1888 Oil on canvas 74x60.6cm
  mk206 1886-1888 Oil on canvas 74x60.6cm

Height    Width


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Edgar Degas After bath oil on canvas


After bath
After bath
Painting ID::  49971
  mk206 1886-1888 Oil on canvas 27.5x37.5cm
  mk206 1886-1888 Oil on canvas 27.5x37.5cm

Height    Width


  INS/CM       Quality

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Edgar Degas Bath oil on canvas


Bath
Bath
Painting ID::  49972
  mk206 about 1888 oil on canvas 90x72cm
  mk206 about 1888 oil on canvas 90x72cm

Height    Width


  INS/CM       Quality

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Edgar Degas After bath oil on canvas


After bath
After bath
Painting ID::  49973
  mk206 about 1895 Oil on canvas 62.2x65cm
  mk206 about 1895 Oil on canvas 62.2x65cm

Height    Width


  INS/CM       Quality

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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