All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas Study of Hand oil on canvas


Study of Hand
Study of Hand
Painting ID::  37720
  mk128 Oil on canvas 38x46cm
  mk128 Oil on canvas 38x46cm

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Edgar Degas Racecourse oil on canvas


Racecourse
Racecourse
Painting ID::  37721
  mk128 30x40cm About 1871-1874
  mk128 30x40cm About 1871-1874

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Edgar Degas Girls comb the hair oil on canvas


Girls comb the hair
Girls comb the hair
Painting ID::  37722
  mk128 Oil on canvas 31x45cm About 1875-1876
  mk128 Oil on canvas 31x45cm About 1875-1876

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Edgar Degas Musician oil on canvas


Musician
Musician
Painting ID::  37723
  mk128 Oil on canvas 69x49cm 1872
  mk128 Oil on canvas 69x49cm 1872

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Edgar Degas Artist-s Father and Pagand oil on canvas


Artist-s Father and Pagand
Artist-s Father and Pagand
Painting ID::  37724
  mk128 Oil on canvas 81.3x64.8cm About 1869-1872
  mk128 Oil on canvas 81.3x64.8cm About 1869-1872

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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