All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas The Models were Degas-s Friends oil on canvas


The Models were Degas-s Friends
The Models were Degas-s Friends
Painting ID::  39468
  mk145 actress Ellen Andree and Artist Marcellin Des-boutin
  mk145 actress Ellen Andree and Artist Marcellin Des-boutin

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Edgar Degas Semiramis Building Babylon oil on canvas


Semiramis Building Babylon
Semiramis Building Babylon
Painting ID::  40093
  mk155 c.1861 Oil on canvas 151x258cm
  mk155 c.1861 Oil on canvas 151x258cm

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Edgar Degas Woman Combing her Hair oil on canvas


Woman Combing her Hair
Woman Combing her Hair
Painting ID::  41090
  mk159 c.1886 Pastel on cardboard 53x52cm
  mk159 c.1886 Pastel on cardboard 53x52cm

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Edgar Degas After the Bath oil on canvas


After the Bath
After the Bath
Painting ID::  41091
  mk159 1884 Pastel on paper mounted on cardboard 50x50cm
  mk159 1884 Pastel on paper mounted on cardboard 50x50cm

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Edgar Degas Balletrepetitie oil on canvas


Balletrepetitie
Balletrepetitie
Painting ID::  42789
  MK169 1874 58x84cm
  MK169 1874 58x84cm

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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