All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas Dancer triming dress oil on canvas


Dancer triming dress
Dancer triming dress
Painting ID::  49999
  mk206 about 1899 oil on canvas 62.2x64.8cm
  mk206 about 1899 oil on canvas 62.2x64.8cm

Height    Width


  INS/CM       Quality

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Edgar Degas Dancer triming dress oil on canvas


Dancer triming dress
Dancer triming dress
Painting ID::  50000
  mk206 1899 Oil on canvas 60x63cm
  mk206 1899 Oil on canvas 60x63cm

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Edgar Degas Two dance wear yellow dress oil on canvas


Two dance wear yellow dress
Two dance wear yellow dress
Painting ID::  50001
  mk206 about 1902 83.2x69.9cm
  mk206 about 1902 83.2x69.9cm

Height    Width


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Edgar Degas ballerina-s performance at opera house in Paris oil on canvas


ballerina-s performance at opera house in Paris
ballerina-s performance at opera house in Paris
Painting ID::  50002
  mk206 1877 Oil on cavnas 35.2x70.6cm
  mk206 1877 Oil on cavnas 35.2x70.6cm

Height    Width


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Edgar Degas Dancer oil on canvas


Dancer
Dancer
Painting ID::  50003
  mk206 1900-1910 Oil on canvas 45x93cm
  mk206 1900-1910 Oil on canvas 45x93cm

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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