All Egon Schiele Oil Paintings

1890-1918 Austrian Egon Schiele Gallery Egon Schiele (12 June 1890 ?C 31 October 1918) was an Austrian painter, a protege of Gustav Klimt, and a major figurative painter of the early 20th century. Schiele's body of work is noted for the intensity and the large number of self-portraits he produced. The twisted body shapes and the expressive line that characterize Schiele's paintings and drawings make the artist an early exponent of Expressionism, although still strongly associated with the art nouveau movement (Jugendstil). The most important collection of Schiele's work is housed in the Leopold Museum, Vienna. In 1907, Schiele sought out Gustav Klimt. Klimt generously mentored younger artists, and he took a particular interest in the gifted young Schiele, buying his drawings, offering to exchange them for some of his own, arranging models for him and introducing him to potential patrons. He also introduced Schiele to the Wiener Werkstätte, the arts and crafts workshop connected with the Secession. In 1908 Schiele had his first exhibition, in Klosterneuburg. Schiele left the Academy in 1909, after completing his third year, and founded the Neukunstgruppe ("New Art Group") with other dissatisfied students. Sitzender weiblicher Akt, 1914Klimt invited Schiele to exhibit some of his work at the 1909 Vienna Kunstschau, where he encountered the work of Edvard Munch, Jan Toorop, and Vincent van Gogh among others. Once free of the constraints of the Academy's conventions, Schiele began to explore not only the human form, but also human sexuality. At the time, many found the explicitness of his works disturbing.
 

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Egon Schiele Die kleine Stadt II. oil on canvas


Die kleine Stadt II.
Die kleine Stadt II.
Painting ID::  60733
  Die kleine Stadt II. View of Krumau an der Moldau, 1912-1913
  Die kleine Stadt II. View of Krumau an der Moldau, 1912-1913

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Egon Schiele Tod und Madchen oil on canvas


Tod und Madchen
Tod und Madchen
Painting ID::  60735
  Tod und Mädchen (Death and the Maiden), 1915
  Tod und Mädchen (Death and the Maiden), 1915

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Egon Schiele Zwei Kleines Madchen oil on canvas


Zwei Kleines Madchen
Zwei Kleines Madchen
Painting ID::  60738
  Zwei Kleines Madchen, 1911
  Zwei Kleines Madchen, 1911

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Egon Schiele kvinna med tva barn oil on canvas


kvinna med tva barn
kvinna med tva barn
Painting ID::  67590
  1917 se
  1917 se

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Egon Schiele Agony oil on canvas


Agony
Agony
Painting ID::  83939
  Date 1912(1912) Medium Oil on canvas Dimensions Deutsch: 70 x 80 cm cjr
  Date 1912(1912) Medium Oil on canvas Dimensions Deutsch: 70 x 80 cm cjr

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     Egon Schiele
     1890-1918 Austrian Egon Schiele Gallery Egon Schiele (12 June 1890 ?C 31 October 1918) was an Austrian painter, a protege of Gustav Klimt, and a major figurative painter of the early 20th century. Schiele's body of work is noted for the intensity and the large number of self-portraits he produced. The twisted body shapes and the expressive line that characterize Schiele's paintings and drawings make the artist an early exponent of Expressionism, although still strongly associated with the art nouveau movement (Jugendstil). The most important collection of Schiele's work is housed in the Leopold Museum, Vienna. In 1907, Schiele sought out Gustav Klimt. Klimt generously mentored younger artists, and he took a particular interest in the gifted young Schiele, buying his drawings, offering to exchange them for some of his own, arranging models for him and introducing him to potential patrons. He also introduced Schiele to the Wiener Werkstätte, the arts and crafts workshop connected with the Secession. In 1908 Schiele had his first exhibition, in Klosterneuburg. Schiele left the Academy in 1909, after completing his third year, and founded the Neukunstgruppe ("New Art Group") with other dissatisfied students. Sitzender weiblicher Akt, 1914Klimt invited Schiele to exhibit some of his work at the 1909 Vienna Kunstschau, where he encountered the work of Edvard Munch, Jan Toorop, and Vincent van Gogh among others. Once free of the constraints of the Academy's conventions, Schiele began to explore not only the human form, but also human sexuality. At the time, many found the explicitness of his works disturbing.

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