All Fra Angelico Oil Paintings

Fra Angelico Galleries b.c. 1400, Vicchio, Florence d.Feb. 18, 1455, Rome Fra Angelico (c. 1395 ?C February 18, 1455), born Guido di Pietro, was an Early Italian Renaissance painter, referred to in Vasari's Lives of the Artists as having "a rare and perfect talent". Known in Italy as il Beato Angelico, he was known to his contemporaries as Fra Giovanni da Fiesole (Brother John from Fiesole). In Giorgio Vasari's Lives of the Artists, written prior to 1555, he was already known as Fra Giovanni Angelico (Brother Giovanni the Angelic One). Within his lifetime or shortly thereafter he was also called Il Beato (the Blessed), in reference to his skills in painting religious subjects. In 1982 Pope John Paul II conferred beatification, thereby making this title official. Fiesole is sometimes misinterpreted as being part of his formal name, but it was merely the name of the town where he took his vows, used by contemporaries to separate him from other Fra Giovannis. He is listed in the Roman Martyrology as Beatus Ioannes Faesulanus, cognomento Angelicus??"Blessed Giovanni of Fiesole, nicknamed Angelico". Fra Angelico was working at a time when the style of painting was in a state of change. This process of change had begun a hundred years previous with the works of Giotto and several of his contemporaries, notably Giusto de' Menabuoi, both of whom had created their major works in Padua, although Giotto was trained in Florence by the great Gothic artist, Cimabue, and painted a fresco cycle of St Francis in the Bardi Chapel in Santa Croce. Giotto had many enthusiastic followers, who imitated his style in fresco, some of them, notably the Lorenzetti, achieving great success.
 

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Fra Angelico Detail of the Annunciation oil on canvas


Detail of the Annunciation
Detail of the Annunciation
Painting ID::  51684
  nn09 1435-45 Tempera on wood 194x194cm
  nn09 1435-45 Tempera on wood 194x194cm

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Fra Angelico The Annunciation oil on canvas


The Annunciation
The Annunciation
Painting ID::  51685
  nn09 detail of Panel with Nine Scenes from the Silver Chest of Saintssima Annunziata c.1450 Tempera on wood 39x39cm
  nn09 detail of Panel with Nine Scenes from the Silver Chest of Saintssima Annunziata c.1450 Tempera on wood 39x39cm

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Fra Angelico The Annuciation oil on canvas


The Annuciation
The Annuciation
Painting ID::  51686
  nn09 1440 Fresco 187x157cm
  nn09 1440 Fresco 187x157cm

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Fra Angelico Abraham,Sarah,and the Angel oil on canvas


Abraham,Sarah,and the Angel
Abraham,Sarah,and the Angel
Painting ID::  51688
  nn09 Oil on wood 75x56cm
  nn09 Oil on wood 75x56cm

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Fra Angelico Detail. of the Linaiuoli Triptych oil on canvas


Detail. of the Linaiuoli Triptych
Detail. of the Linaiuoli Triptych
Painting ID::  51711
  nn09 commissioned 1433 Tempera on wood 260x330cm
  nn09 commissioned 1433 Tempera on wood 260x330cm

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     Fra Angelico
     Fra Angelico Galleries b.c. 1400, Vicchio, Florence d.Feb. 18, 1455, Rome Fra Angelico (c. 1395 ?C February 18, 1455), born Guido di Pietro, was an Early Italian Renaissance painter, referred to in Vasari's Lives of the Artists as having "a rare and perfect talent". Known in Italy as il Beato Angelico, he was known to his contemporaries as Fra Giovanni da Fiesole (Brother John from Fiesole). In Giorgio Vasari's Lives of the Artists, written prior to 1555, he was already known as Fra Giovanni Angelico (Brother Giovanni the Angelic One). Within his lifetime or shortly thereafter he was also called Il Beato (the Blessed), in reference to his skills in painting religious subjects. In 1982 Pope John Paul II conferred beatification, thereby making this title official. Fiesole is sometimes misinterpreted as being part of his formal name, but it was merely the name of the town where he took his vows, used by contemporaries to separate him from other Fra Giovannis. He is listed in the Roman Martyrology as Beatus Ioannes Faesulanus, cognomento Angelicus??"Blessed Giovanni of Fiesole, nicknamed Angelico". Fra Angelico was working at a time when the style of painting was in a state of change. This process of change had begun a hundred years previous with the works of Giotto and several of his contemporaries, notably Giusto de' Menabuoi, both of whom had created their major works in Padua, although Giotto was trained in Florence by the great Gothic artist, Cimabue, and painted a fresco cycle of St Francis in the Bardi Chapel in Santa Croce. Giotto had many enthusiastic followers, who imitated his style in fresco, some of them, notably the Lorenzetti, achieving great success.

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