All Francesco Hayez Oil Paintings

1791-1882 Italian Francesco Hayez Galleries Hayez came from a relatively poor family from Venice. His father was of French origin while his mother, Chiara Torcella, was from Murano. The child Francesco, youngest of five sons, was brought up by his mother sister, who had married Giovanni Binasco, a well-off shipowner and collector of art. From childhood he showed a predisposition for drawing, so his uncle apprenticed him to an art restorer. Later he became a student of the painter Francisco Magiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini. In 1809 he won a competition from the Academy of Venice for one year of study at the Accademia di San Luca in Rome. He remained in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat to paint a major work depicting Ulysses at the court of Alcinous. In the mid 1830s he attended the Salotto Maffei salon in Milan, hosted by Clara Maffei (whose portrait Hayez painted for her husband), and he was still in Milan in 1850 when he was appointed director of the Academy of Brera there. Assessment of the career of Hayez is complicated by the fact that he often did not sign or date his works. Often the date indicated from the evidence is that at which the work was acquired or sold, not of its creation. Moreover he often painted the same compositions several times with minimal variations, or even with no variation. His early works show the influence of Ingres and the Nazarene movement. His later work participates in the Classical revival.
 

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Francesco Hayez Rinaldo und Armida oil on canvas


Rinaldo und Armida
Rinaldo und Armida
Painting ID::  71446
  Date 1814(1814) Medium Oil on canvas Dimensions 198 x 295 cm (77.95 x 116.14 in)
  Date 1814(1814) Medium Oil on canvas Dimensions 198 x 295 cm (77.95 x 116.14 in)

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  INS/CM       Quality

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Francesco Hayez Bad der Nymphen, Detail oil on canvas


Bad der Nymphen, Detail
Bad der Nymphen, Detail
Painting ID::  71833
  Oil on canvas Private collection
  Oil on canvas Private collection

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Francesco Hayez Aristoteles oil on canvas


Aristoteles
Aristoteles
Painting ID::  71953
  1811(1811) Oil on canvas 163 X 126 cm (64.17 X 49.61 in)
  1811(1811) Oil on canvas 163 X 126 cm (64.17 X 49.61 in)

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Francesco Hayez Bad der Nymphen Detail oil on canvas


Bad der Nymphen Detail
Bad der Nymphen Detail
Painting ID::  73093
  Date 1831(1831) Medium Oil on canvas Current location Private collection Deutsch: Lugano cyf
  Date 1831(1831) Medium Oil on canvas Current location Private collection Deutsch: Lugano cyf

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Francesco Hayez Aristoteles oil on canvas


Aristoteles
Aristoteles
Painting ID::  73370
  Date 1811(1811) Medium Oil on canvas Dimensions 163 X 126 cm (64.17 X 49.61 in) cyf
  Date 1811(1811) Medium Oil on canvas Dimensions 163 X 126 cm (64.17 X 49.61 in) cyf

Height    Width


  INS/CM       Quality

X

  

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     Francesco Hayez
     1791-1882 Italian Francesco Hayez Galleries Hayez came from a relatively poor family from Venice. His father was of French origin while his mother, Chiara Torcella, was from Murano. The child Francesco, youngest of five sons, was brought up by his mother sister, who had married Giovanni Binasco, a well-off shipowner and collector of art. From childhood he showed a predisposition for drawing, so his uncle apprenticed him to an art restorer. Later he became a student of the painter Francisco Magiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini. In 1809 he won a competition from the Academy of Venice for one year of study at the Accademia di San Luca in Rome. He remained in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat to paint a major work depicting Ulysses at the court of Alcinous. In the mid 1830s he attended the Salotto Maffei salon in Milan, hosted by Clara Maffei (whose portrait Hayez painted for her husband), and he was still in Milan in 1850 when he was appointed director of the Academy of Brera there. Assessment of the career of Hayez is complicated by the fact that he often did not sign or date his works. Often the date indicated from the evidence is that at which the work was acquired or sold, not of its creation. Moreover he often painted the same compositions several times with minimal variations, or even with no variation. His early works show the influence of Ingres and the Nazarene movement. His later work participates in the Classical revival.

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