All Francesco Hayez Oil Paintings

1791-1882 Italian Francesco Hayez Galleries Hayez came from a relatively poor family from Venice. His father was of French origin while his mother, Chiara Torcella, was from Murano. The child Francesco, youngest of five sons, was brought up by his mother sister, who had married Giovanni Binasco, a well-off shipowner and collector of art. From childhood he showed a predisposition for drawing, so his uncle apprenticed him to an art restorer. Later he became a student of the painter Francisco Magiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini. In 1809 he won a competition from the Academy of Venice for one year of study at the Accademia di San Luca in Rome. He remained in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat to paint a major work depicting Ulysses at the court of Alcinous. In the mid 1830s he attended the Salotto Maffei salon in Milan, hosted by Clara Maffei (whose portrait Hayez painted for her husband), and he was still in Milan in 1850 when he was appointed director of the Academy of Brera there. Assessment of the career of Hayez is complicated by the fact that he often did not sign or date his works. Often the date indicated from the evidence is that at which the work was acquired or sold, not of its creation. Moreover he often painted the same compositions several times with minimal variations, or even with no variation. His early works show the influence of Ingres and the Nazarene movement. His later work participates in the Classical revival.
 

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Francesco Hayez The Kiss oil on canvas


The Kiss
The Kiss
Painting ID::  1565
  1859 Brera, Milan
  1859 Brera, Milan

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Francesco Hayez Rinaldo and Armida oil on canvas


Rinaldo and Armida
Rinaldo and Armida
Painting ID::  1566
  1812-13 Gallerie dell'Accademia, Venice
  1812-13 Gallerie dell'Accademia, Venice

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Francesco Hayez Crusaders Thirsting near Jerusalem oil on canvas


Crusaders Thirsting near Jerusalem
Crusaders Thirsting near Jerusalem
Painting ID::  1569
  1836-50 Palazzo Reale, Turin
  1836-50 Palazzo Reale, Turin

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Francesco Hayez The Refugees of Parga (mk22) oil on canvas


The Refugees of Parga (mk22)
The Refugees of Parga (mk22)
Painting ID::  22838
  1828-1831 Oil on canvas,approx 200 x 290 cm Brescia,Pinacoteca Tosio Martinengo
  1828-1831 Oil on canvas,approx 200 x 290 cm Brescia,Pinacoteca Tosio Martinengo

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Francesco Hayez Interno di Harem (mk32) oil on canvas


Interno di Harem (mk32)
Interno di Harem (mk32)
Painting ID::  25148
  Au harem Huile sur toile 61.5 x 74.5 cm 1867 Anc Sotheby Londres
  Au harem Huile sur toile 61.5 x 74.5 cm 1867 Anc Sotheby Londres

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     Francesco Hayez
     1791-1882 Italian Francesco Hayez Galleries Hayez came from a relatively poor family from Venice. His father was of French origin while his mother, Chiara Torcella, was from Murano. The child Francesco, youngest of five sons, was brought up by his mother sister, who had married Giovanni Binasco, a well-off shipowner and collector of art. From childhood he showed a predisposition for drawing, so his uncle apprenticed him to an art restorer. Later he became a student of the painter Francisco Magiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini. In 1809 he won a competition from the Academy of Venice for one year of study at the Accademia di San Luca in Rome. He remained in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat to paint a major work depicting Ulysses at the court of Alcinous. In the mid 1830s he attended the Salotto Maffei salon in Milan, hosted by Clara Maffei (whose portrait Hayez painted for her husband), and he was still in Milan in 1850 when he was appointed director of the Academy of Brera there. Assessment of the career of Hayez is complicated by the fact that he often did not sign or date his works. Often the date indicated from the evidence is that at which the work was acquired or sold, not of its creation. Moreover he often painted the same compositions several times with minimal variations, or even with no variation. His early works show the influence of Ingres and the Nazarene movement. His later work participates in the Classical revival.

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