All Francesco Parmigianino Oil Paintings

1503 ~ 1540,Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age. Throughout his career he was a compulsive draughtsman, not only of preparatory studies for paintings and prints, but also of scenes from everyday life and of erotica.
 

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Francesco Parmigianino Self-portrait in a Convex Mirror oil on canvas


Self-portrait in a Convex Mirror
Self-portrait in a Convex Mirror
Painting ID::  44895
  mk176 1524
  mk176 1524

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  INS/CM       Quality

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Francesco Parmigianino Virgin and Child oil on canvas


Virgin and Child
Virgin and Child
Painting ID::  87694
  between 1525(1525) and 1527(1527) Medium Oil on panel cyf
  between 1525(1525) and 1527(1527) Medium Oil on panel cyf

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  INS/CM       Quality

X

  

Francesco Parmigianino Santa Trinita Altarpiece oil on canvas


Santa Trinita Altarpiece
Santa Trinita Altarpiece
Painting ID::  97112
  between 1455(1455) and 1460(1460) Medium tempera and oil on wood cyf
  between 1455(1455) and 1460(1460) Medium tempera and oil on wood cyf

Height    Width


  INS/CM       Quality

X

  

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     Francesco Parmigianino
     1503 ~ 1540,Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age. Throughout his career he was a compulsive draughtsman, not only of preparatory studies for paintings and prints, but also of scenes from everyday life and of erotica.

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