All Francisco de Goya Oil Paintings

Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.
 

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Francisco de Goya Courtyard with Lunatics or Yard with Madmen oil on canvas


Courtyard with Lunatics or Yard with Madmen
Courtyard with Lunatics or Yard with Madmen
Painting ID::  85544
  794. Oil on tin plated iron, 43.8 x 32.7 cm cyf
  794. Oil on tin plated iron, 43.8 x 32.7 cm cyf

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Francisco de Goya Tribunal der Inquisition oil on canvas


Tribunal der Inquisition
Tribunal der Inquisition
Painting ID::  85558
  Date 1812-1814 Medium Oil on canvas Dimensions 46 x 73 cm cjr
  Date 1812-1814 Medium Oil on canvas Dimensions 46 x 73 cm cjr

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Francisco de Goya Portrait of Manuela Tellez Giron y Pimentel oil on canvas


Portrait of Manuela Tellez Giron y Pimentel
Portrait of Manuela Tellez Giron y Pimentel
Painting ID::  85723
  Date 1816 Medium Oil on canvas Dimensions 92 x 70 cm (36.2 x 27.6 in) cjr
  Date 1816 Medium Oil on canvas Dimensions 92 x 70 cm (36.2 x 27.6 in) cjr

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Francisco de Goya Die Lampe des Teufels oil on canvas


Die Lampe des Teufels
Die Lampe des Teufels
Painting ID::  85816
  Date 1797-1798 Medium Oil on canvas Dimensions Deutsch: 42 x 32 cm cjr
  Date 1797-1798 Medium Oil on canvas Dimensions Deutsch: 42 x 32 cm cjr

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Francisco de Goya The Strolling Players oil on canvas


The Strolling Players
The Strolling Players
Painting ID::  85840
  Date between 1794(1794) and 1798(1798) Medium Oil on tin plate Dimensions Height: 43 cm (16.9 in). Width: 32 cm (12.6 in). cjr
  Date between 1794(1794) and 1798(1798) Medium Oil on tin plate Dimensions Height: 43 cm (16.9 in). Width: 32 cm (12.6 in). cjr

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     Francisco de Goya
     Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.

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