All Francisco de Goya Oil Paintings

Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.
 

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Francisco de Goya Don Jose alvarez de Toledo y Gonzaga (1756-1796), 15th Duke of Medina Sidonia, 13th Duke of Alba and 11th Marquis of Villafranca oil on canvas


Don Jose alvarez de Toledo y Gonzaga (1756-1796), 15th Duke of Medina Sidonia, 13th Duke of Alba and 11th Marquis of Villafranca
Don Jose alvarez de Toledo y Gonzaga (1756-1796), 15th Duke of Medina Sidonia, 13th Duke of Alba and 11th Marquis of Villafranca
Painting ID::  90685
  around 1795 Medium English: Oil on canvas Dimensions 195 x 120 cm (76.8 x 47.2 in) cjr
  around 1795 Medium English: Oil on canvas Dimensions 195 x 120 cm (76.8 x 47.2 in) cjr

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Francisco de Goya Wassertragerin oil on canvas


Wassertragerin
Wassertragerin
Painting ID::  91162
  oil on canvas Dimensions Deutsch: 68 x 50 cm cyf
  oil on canvas Dimensions Deutsch: 68 x 50 cm cyf

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Francisco de Goya The Yard of a Madhouse oil on canvas


The Yard of a Madhouse
The Yard of a Madhouse
Painting ID::  91177
  1794(1794) Medium oil on tinplate Dimensions Height: 43.8 cm (17.2 in). Width: 31.7 cm (12.5 in). cyf
  1794(1794) Medium oil on tinplate Dimensions Height: 43.8 cm (17.2 in). Width: 31.7 cm (12.5 in). cyf

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Francisco de Goya Fire at Night oil on canvas


Fire at Night
Fire at Night
Painting ID::  91178
  between 1793(1793) and 1794(1794) Medium oil on tinplate cyf
  between 1793(1793) and 1794(1794) Medium oil on tinplate cyf

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Francisco de Goya Picador Caught by the Bull oil on canvas


Picador Caught by the Bull
Picador Caught by the Bull
Painting ID::  91179
  1793(1793) Medium oil on tinplate Dimensions Height: 43 cm (16.9 in). Width: 32 cm (12.6 in). cyf
  1793(1793) Medium oil on tinplate Dimensions Height: 43 cm (16.9 in). Width: 32 cm (12.6 in). cyf

Height    Width


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     Francisco de Goya
     Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.

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