All Francisco de Goya Oil Paintings

Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.
 

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Francisco de Goya Das Pestlazarett oil on canvas


Das Pestlazarett
Das Pestlazarett
Painting ID::  93610
  1808-1810 Medium oil on canvas Dimensions Deutsch: 32 x 57 cm cjr
  1808-1810 Medium oil on canvas Dimensions Deutsch: 32 x 57 cm cjr

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Francisco de Goya Christ Crucified oil on canvas


Christ Crucified
Christ Crucified
Painting ID::  94904
  1780 Type Oil on canvas cyf
  1780 Type Oil on canvas cyf

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Francisco de Goya Blind Man s Bluff oil on canvas


Blind Man s Bluff
Blind Man s Bluff
Painting ID::  94912
  1789 Dimensions 269 cm x 350 cm cyf
  1789 Dimensions 269 cm x 350 cm cyf

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Francisco de Goya Self portrait oil on canvas


Self portrait
Self portrait
Painting ID::  94952
  Oil on tin plated iron, 43.8 x 32.7 cm cyf
  Oil on tin plated iron, 43.8 x 32.7 cm cyf

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Francisco de Goya Charles IV of Spain and His Family oil on canvas


Charles IV of Spain and His Family
Charles IV of Spain and His Family
Painting ID::  94958
  1800-1801 Medium oil on canvas Dimensions 280 x 336 cm (110.2 x 132.3 in) cyf
  1800-1801 Medium oil on canvas Dimensions 280 x 336 cm (110.2 x 132.3 in) cyf

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     Francisco de Goya
     Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.

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