All Frans Hals Oil Paintings

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
 

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Frans Hals Gypsy Girl oil on canvas


Gypsy Girl
Gypsy Girl
Painting ID::  88325
  between 1628(1628) and 1630(1630) Medium Oil on wood cyf
  between 1628(1628) and 1630(1630) Medium Oil on wood cyf

Height    Width


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Frans Hals Portrait of a Man oil on canvas


Portrait of a Man
Portrait of a Man
Painting ID::  88337
  1635(1635) Medium Oil on oak cyf
  1635(1635) Medium Oil on oak cyf

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Frans Hals Willem Croes oil on canvas


Willem Croes
Willem Croes
Painting ID::  88338
  between 1662(1662) and 1666(1666) Medium Oil on wood cyf
  between 1662(1662) and 1666(1666) Medium Oil on wood cyf

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Frans Hals Portrat eines jungen Mannes oil on canvas


Portrat eines jungen Mannes
Portrat eines jungen Mannes
Painting ID::  88674
  c. 1655-1660 Medium Oil on canvas Dimensions Deutsch: 65 x 45 cm cjr
  c. 1655-1660 Medium Oil on canvas Dimensions Deutsch: 65 x 45 cm cjr

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Frans Hals Portrait of Isaak Abrahamsz Massa oil on canvas


Portrait of Isaak Abrahamsz Massa
Portrait of Isaak Abrahamsz Massa
Painting ID::  88728
  1626(1626) Medium Oil on canvas cyf
  1626(1626) Medium Oil on canvas cyf

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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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