All Frans Hals Oil Paintings

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
 

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Frans Hals mansportratt oil on canvas


mansportratt
mansportratt
Painting ID::  70807
  olja pa duk 66.5x78.5cm 1639-50 se
  olja pa duk 66.5x78.5cm 1639-50 se

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Frans Hals mansportratt oil on canvas


mansportratt
mansportratt
Painting ID::  70808
  olja pa duk 78.7x107.5cm 1947 se
  olja pa duk 78.7x107.5cm 1947 se

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Frans Hals Portrait of a woman oil on canvas


Portrait of a woman
Portrait of a woman
Painting ID::  71926
  1644 Oil on canvas 75.9 x 62.5 cm (29.88 x 24.61 in)
  1644 Oil on canvas 75.9 x 62.5 cm (29.88 x 24.61 in)

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Frans Hals Portrait of a Man oil on canvas


Portrait of a Man
Portrait of a Man
Painting ID::  72204
  between 1612(1612) and 1616(1616) Oil on canvas 73.7 X 55.2 cm (29.02 X 21.73 in) cjr
  between 1612(1612) and 1616(1616) Oil on canvas 73.7 X 55.2 cm (29.02 X 21.73 in) cjr

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Frans Hals Marriage Portrait of Isaac Massa en Beatrix van der Laen oil on canvas


Marriage Portrait of Isaac Massa en Beatrix van der Laen
Marriage Portrait of Isaac Massa en Beatrix van der Laen
Painting ID::  73053
  Date ca. 1622(1622) (1621-1623) Medium Oil on canvas Dimensions 140 X 166.5 cm (55.12 X 65.55 in) cyf
  Date ca. 1622(1622) (1621-1623) Medium Oil on canvas Dimensions 140 X 166.5 cm (55.12 X 65.55 in) cyf

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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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