All Frans Hals Oil Paintings

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
 
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Frans Hals St Matthew WGA oil on canvas


St Matthew WGA
St Matthew WGA
Painting ID::  59219 		  St Matthew WGA
  St Matthew WGA

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Frans Hals The Rommel Pot Player WGA oil on canvas


The Rommel Pot Player WGA
The Rommel Pot Player WGA
Painting ID::  59224 		  The Rommel Pot Player WGA
  The Rommel Pot Player WGA

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Frans Hals Two Boys Singing WGA oil on canvas


Two Boys Singing WGA
Two Boys Singing WGA
Painting ID::  59226 		  Two Boys Singing WGA
  Two Boys Singing WGA

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Frans Hals Officers and Sergeants of the St Hadrian Civic Guard oil on canvas


Officers and Sergeants of the St Hadrian Civic Guard
Officers and Sergeants of the St Hadrian Civic Guard
Painting ID::  59227 		  Officers and Sergeants of the St Hadrian Civic Guard
  Officers and Sergeants of the St Hadrian Civic Guard

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Frans Hals Portrait of a Man oil on canvas


Portrait of a Man
Portrait of a Man
Painting ID::  63547 		  1634 Oil on canvas, 82,5 x 70 cm Museum of Fine Arts, Budapest The painting is dated at the bottom right part as "AETAT SVAE 28 / AN 1634
  1634 Oil on canvas, 82,5 x 70 cm Museum of Fine Arts, Budapest The painting is dated at the bottom right part as "AETAT SVAE 28 / AN 1634

Height    Width


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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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