1826-1900
American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.
mk48
April 1869
Brush and oil paint,over black chalk on cream paperboard
12 15/16x16 5/16in
Cooper-Hewitt,National Design Museum,Smithson Institution,Gift of Louis P.Church
mk48
April 1869
Brush and oil paint,over black chalk on cream paperboard
12 15/16x16 5/16in
Cooper-Hewitt,National Design Museum,Smithson Institution,Gift of Louis P.Church
mk48
1871
Oil on canvas
44 1/2x72 5/8in
The Metropolitan Museum of Art,Bequest of Maria DeWitt jesup
mk48
1871
Oil on canvas
44 1/2x72 5/8in
The Metropolitan Museum of Art,Bequest of Maria DeWitt jesup
mk48
1873
Oil on canvas
56x85in
The Detroit Institute of Arts,Gift of Mrs,James F.joy
mk48
1873
Oil on canvas
56x85in
The Detroit Institute of Arts,Gift of Mrs,James F.joy
1826-1900
American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.