1826-1900
American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.
mk48
1852
Oil on canvas
21 13/16x31 15/16in
Wadsworth Atheneum Museum of Art,Hartford,Connecticut,The Gallery Fund
mk48
1852
Oil on canvas
21 13/16x31 15/16in
Wadsworth Atheneum Museum of Art,Hartford,Connecticut,The Gallery Fund
Height Width
INS/CM Quality
X
Study for The Icebergs
Study for The Icebergs
Painting ID:: 26270
mk48
ca.1859
Brush and oil aint on tan paperboard
6 7/16x10 3/8in
Cooper-Hewitt,National Design Museum,Smithsonian Institution.Gift of Louis P.Church
mk48
ca.1859
Brush and oil aint on tan paperboard
6 7/16x10 3/8in
Cooper-Hewitt,National Design Museum,Smithsonian Institution.Gift of Louis P.Church
1826-1900
American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.