All Frederic Edwin Church Oil Paintings

American Hudson River School Painter, 1826-1900 ..American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole. This was an unusual honour
 

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Frederic Edwin Church Stockbridge,Mass. oil on canvas


Stockbridge,Mass.
Stockbridge,Mass.
Painting ID::  10643
  1847 Oil on canvas 27.25 x 40 in
  1847 Oil on canvas 27.25 x 40 in

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Frederic Edwin Church Storm in the Mountains oil on canvas


Storm in the Mountains
Storm in the Mountains
Painting ID::  10644
  1847 Oil on canvas; Cleveland Museum of Art Ohio29.88x24.88in.
  1847 Oil on canvas; Cleveland Museum of Art Ohio29.88x24.88in.

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Frederic Edwin Church Scene on the Catskill Creek oil on canvas


Scene on the Catskill Creek
Scene on the Catskill Creek
Painting ID::  10645
  1847 Oil on canvas Washington County Museum of Fine Arts, Hagerstorn, Maryland; 21.5 x 29.75 in
  1847 Oil on canvas Washington County Museum of Fine Arts, Hagerstorn, Maryland; 21.5 x 29.75 in

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Frederic Edwin Church New England Landscape oil on canvas


New England Landscape
New England Landscape
Painting ID::  10646
  1847 Oil on canvas Colorado Springs Fine Arts Center, Colorado; 14.5 x 20.25 in.
  1847 Oil on canvas Colorado Springs Fine Arts Center, Colorado; 14.5 x 20.25 in.

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Frederic Edwin Church July Sunset oil on canvas


July Sunset
July Sunset
Painting ID::  10647
  1847 Oil on canvas; 29 x 40.38 in.
  1847 Oil on canvas; 29 x 40.38 in.

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     Frederic Edwin Church
     American Hudson River School Painter, 1826-1900 ..American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole. This was an unusual honour

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