All Frederick Walker,ARA,RWS Oil Paintings

1840-1875 English painter and illustrator. He acquired his training in drawing and painting through study in the British Museum (where he copied heavily from the Antique), a short period spent in an architect's office, life classes at Leigh's school, a studentship at the Royal Academy and three years' employment as a draughtsman on wood with the commercial engraver Josiah Wood Whymper (1813-1903).
 
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Frederick Walker,ARA,RWS Spring (mk46) oil on canvas


Spring (mk46)
Spring (mk46)
Painting ID::  26021 		  1864 Watercolour and bodycolour 62.2x50.2cm London,ictoria and Albert Museum
  1864 Watercolour and bodycolour 62.2x50.2cm London,ictoria and Albert Museum

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Frederick Walker,ARA,RWS An Amateur (mk46) oil on canvas


An Amateur (mk46)
An Amateur (mk46)
Painting ID::  26022 		  1807-1. Watercolour and bodycolour 17.7x25.3cm London,British Museum
  1807-1. Watercolour and bodycolour 17.7x25.3cm London,British Museum

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Frederick Walker,ARA,RWS A Fishmonger's shop (mk46) oil on canvas


A Fishmonger's shop (mk46)
A Fishmonger's shop (mk46)
Painting ID::  26026 		  Watercolour and bodycolour 35.6x57.2cm Port Sunlight,Lady Lever Art Gallery
  Watercolour and bodycolour 35.6x57.2cm Port Sunlight,Lady Lever Art Gallery

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Frederick Walker,ARA,RWS The Woman in White oil on canvas


The Woman in White
The Woman in White
Painting ID::  27887 		  1871 Poster 217 x 128.9 cm (85 5/8 x 49 5/8 in) Tate Gallery London (mk63)
  1871 Poster 217 x 128.9 cm (85 5/8 x 49 5/8 in) Tate Gallery London (mk63)

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Frederick Walker,ARA,RWS The Bathers oil on canvas


The Bathers
The Bathers
Painting ID::  27977 		  1807 Oil on canvas 92.7 x 214.7cm (36 1/2 x 84 5/8 in) Lady Lever Art Gallery Port Sunlight Liverpool (mk63)
  1807 Oil on canvas 92.7 x 214.7cm (36 1/2 x 84 5/8 in) Lady Lever Art Gallery Port Sunlight Liverpool (mk63)

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     Frederick Walker,ARA,RWS
     1840-1875 English painter and illustrator. He acquired his training in drawing and painting through study in the British Museum (where he copied heavily from the Antique), a short period spent in an architect's office, life classes at Leigh's school, a studentship at the Royal Academy and three years' employment as a draughtsman on wood with the commercial engraver Josiah Wood Whymper (1813-1903).

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