All GHIRLANDAIO, Domenico Oil Paintings

Italian Early Renaissance Painter, 1449-1494 Florentine painter, whose family name was Bigordi. He may have studied painting and mosaics under Alesso Baldovinetti. Ghirlandaio was an excellent technician. Keenly observant of the contemporary scene, he depicted many prominent Florentine personalities within his religious narrative paintings. Among his earliest frescoes are the Madonna with the Vespucci Family and the Last Supper (Church of the Ognissanti, Florence). He painted scenes from the life of Santa Fina (collegiate church in San Gimigniano) and frescoes in the Palazzo Vecchio, Florence. In 1481, Pope Sixtus IV called him to Rome, along with Botticelli, to decorate the Sistine Chapel. He painted the Calling of the First Apostles, a scene close in spirit to Masaccio. He returned to Florence to work on the frescoes in the Sassetti Chapel in Santa Trinita. He introduced Sassetti, Corsi, Poliziano, the Medici, and many other contemporaries as participants in the life of St. Francis. Ghirlandaio's most famous achievement is his fresco cycle of the life of Mary and St. John the Baptist for the choir of Santa Maria Novella. Michelangelo served an apprenticeship with him at this time and probably worked on these frescoes. Other examples of his art are the Adoration of the Magi (Uffizi); another Adoration (Hospital of the Innocents); a mosaic of the Annunciation for the Cathedral; a portrait of Francesco Sassetti and his son (Metropolitan Mus.);
 

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GHIRLANDAIO, Domenico Slaughter of the Innocents oil on canvas


Slaughter of the Innocents
Slaughter of the Innocents
Painting ID::  44391
  1486-90
  1486-90

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  INS/CM       Quality

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GHIRLANDAIO, Domenico Resurrection of the Boy oil on canvas


Resurrection of the Boy
Resurrection of the Boy
Painting ID::  44392
  1482-85
  1482-85

Height    Width


  INS/CM       Quality

X

  

GHIRLANDAIO, Domenico Death and Assumption of the Virgin oil on canvas


Death and Assumption of the Virgin
Death and Assumption of the Virgin
Painting ID::  44393
  1486-90
  1486-90

Height    Width


  INS/CM       Quality

X

  

GHIRLANDAIO, Domenico St Matthew the Evangelist oil on canvas


St Matthew the Evangelist
St Matthew the Evangelist
Painting ID::  51187
  1486-90 Fresco Cappella Tornabuoni
  1486-90 Fresco Cappella Tornabuoni

Height    Width


  INS/CM       Quality

X

  

GHIRLANDAIO, Domenico Detail of the Adoration of the Magi oil on canvas


Detail of the Adoration of the Magi
Detail of the Adoration of the Magi
Painting ID::  51705
  nn09 1488 Tempera on wood 285x240cm
  nn09 1488 Tempera on wood 285x240cm

Height    Width


  INS/CM       Quality

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     GHIRLANDAIO, Domenico
     Italian Early Renaissance Painter, 1449-1494 Florentine painter, whose family name was Bigordi. He may have studied painting and mosaics under Alesso Baldovinetti. Ghirlandaio was an excellent technician. Keenly observant of the contemporary scene, he depicted many prominent Florentine personalities within his religious narrative paintings. Among his earliest frescoes are the Madonna with the Vespucci Family and the Last Supper (Church of the Ognissanti, Florence). He painted scenes from the life of Santa Fina (collegiate church in San Gimigniano) and frescoes in the Palazzo Vecchio, Florence. In 1481, Pope Sixtus IV called him to Rome, along with Botticelli, to decorate the Sistine Chapel. He painted the Calling of the First Apostles, a scene close in spirit to Masaccio. He returned to Florence to work on the frescoes in the Sassetti Chapel in Santa Trinita. He introduced Sassetti, Corsi, Poliziano, the Medici, and many other contemporaries as participants in the life of St. Francis. Ghirlandaio's most famous achievement is his fresco cycle of the life of Mary and St. John the Baptist for the choir of Santa Maria Novella. Michelangelo served an apprenticeship with him at this time and probably worked on these frescoes. Other examples of his art are the Adoration of the Magi (Uffizi); another Adoration (Hospital of the Innocents); a mosaic of the Annunciation for the Cathedral; a portrait of Francesco Sassetti and his son (Metropolitan Mus.);

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