All GIOTTO di Bondone Oil Paintings

Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.
 

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GIOTTO di Bondone Raising of the Boy in Sessa oil on canvas


Raising of the Boy in Sessa
Raising of the Boy in Sessa
Painting ID::  44376
  1310
  1310

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GIOTTO di Bondone Allegory of Obedience oil on canvas


Allegory of Obedience
Allegory of Obedience
Painting ID::  44382
  c. 1330
  c. 1330

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GIOTTO di Bondone St Francis in Glory oil on canvas


St Francis in Glory
St Francis in Glory
Painting ID::  52356
  c. 1330 Fresco Lower Church
  c. 1330 Fresco Lower Church

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GIOTTO di Bondone The Death of the Boy in Sessa oil on canvas


The Death of the Boy in Sessa
The Death of the Boy in Sessa
Painting ID::  52357
  1310s Fresco North transept
  1310s Fresco North transept

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GIOTTO di Bondone Allegory of Poverty oil on canvas


Allegory of Poverty
Allegory of Poverty
Painting ID::  52359
  c. 1330 Fresco Lower Church
  c. 1330 Fresco Lower Church

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     GIOTTO di Bondone
     Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.

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