All GRECO, El Oil Paintings

Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,
 

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GRECO, El Poet Ercilla y Zuniga oil on canvas


Poet Ercilla y Zuniga
Poet Ercilla y Zuniga
Painting ID::  43740
  Oil on canvas, 44 x 41,5 cm
  Oil on canvas, 44 x 41,5 cm

Height    Width


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X

  

GRECO, El Study of a Man oil on canvas


Study of a Man
Study of a Man
Painting ID::  43741
  c. 1595 Oil on canvas, 49,5 x 42,5 cm
  c. 1595 Oil on canvas, 49,5 x 42,5 cm

Height    Width


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GRECO, El Female Portrait oil on canvas


Female Portrait
Female Portrait
Painting ID::  43742
  c. 1595 Oil on canvas, 40 x 33 cm
  c. 1595 Oil on canvas, 40 x 33 cm

Height    Width


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GRECO, El A View of Toledo oil on canvas


A View of Toledo
A View of Toledo
Painting ID::  43743
  Oil on canvas, 121,3 x 108,6 cm
  Oil on canvas, 121,3 x 108,6 cm

Height    Width


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GRECO, El Allegory of the Camaldolese oil on canvas


Allegory of the Camaldolese
Allegory of the Camaldolese
Painting ID::  43744
  Oil on canvas, 124 x 90 cm
  Oil on canvas, 124 x 90 cm

Height    Width


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     GRECO, El
     Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,

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