All GRECO, El Oil Paintings

Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,
 
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GRECO, El Mount Sinai oil on canvas


Mount Sinai
Mount Sinai
Painting ID::  43780 		  Oil and tempera on panel, 41 x 47,5 cm
  Oil and tempera on panel, 41 x 47,5 cm

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  INS/CM       Quality

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GRECO, El Christ Healing the Blind oil on canvas


Christ Healing the Blind
Christ Healing the Blind
Painting ID::  43781 		  Oil on canvas, 119 x 146 cm
  Oil on canvas, 119 x 146 cm

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GRECO, El The Martyrdom of St Maurice oil on canvas


The Martyrdom of St Maurice
The Martyrdom of St Maurice
Painting ID::  43782 		  1580-81 Oil on canvas, 448 x 301 cm
  1580-81 Oil on canvas, 448 x 301 cm

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GRECO, El A Lady in a Fur Wrap oil on canvas


A Lady in a Fur Wrap
A Lady in a Fur Wrap
Painting ID::  43783 		  Oil on canvas, 62 x 59 cm
  Oil on canvas, 62 x 59 cm

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GRECO, El Mary Magdalen in Penitence oil on canvas


Mary Magdalen in Penitence
Mary Magdalen in Penitence
Painting ID::  43784 		  1576-78 Oil on canvas, 157 x 121 cm
  1576-78 Oil on canvas, 157 x 121 cm

Height    Width


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     GRECO, El
     Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,

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