All GRECO, El Oil Paintings

Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,
 

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GRECO, El Mary Magdalen in Penitence oil on canvas


Mary Magdalen in Penitence
Mary Magdalen in Penitence
Painting ID::  43785
  1578-80 Oil on canvas, 108 x 101 cm
  1578-80 Oil on canvas, 108 x 101 cm

Height    Width


  INS/CM       Quality

X

  

GRECO, El Apparition of the Virgin to St Lawrence oil on canvas


Apparition of the Virgin to St Lawrence
Apparition of the Virgin to St Lawrence
Painting ID::  43786
  1578-80 Oil on canvas, 119 x 102 cm
  1578-80 Oil on canvas, 119 x 102 cm

Height    Width


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GRECO, El Portrait of a Gentleman from the Casa de Leiva oil on canvas


Portrait of a Gentleman from the Casa de Leiva
Portrait of a Gentleman from the Casa de Leiva
Painting ID::  43787
  1580 Oil on canvas, 88 x 69 cm
  1580 Oil on canvas, 88 x 69 cm

Height    Width


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GRECO, El St Veronica Holding the Veil oil on canvas


St Veronica Holding the Veil
St Veronica Holding the Veil
Painting ID::  43788
  c. 1580 Oil on canvas, 84 x 91 cm
  c. 1580 Oil on canvas, 84 x 91 cm

Height    Width


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GRECO, El Nobleman with his Hand on his Chest oil on canvas


Nobleman with his Hand on his Chest
Nobleman with his Hand on his Chest
Painting ID::  43789
  1583-85 Oil on canvas, 81 x 66 cm
  1583-85 Oil on canvas, 81 x 66 cm

Height    Width


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     GRECO, El
     Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,

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