All GRECO, El Oil Paintings

Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,
 

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GRECO, El The Virgin of the Immaculate Conception and St John oil on canvas


The Virgin of the Immaculate Conception and St John
The Virgin of the Immaculate Conception and St John
Painting ID::  43790
  c. 1585 Oil on canvas, 237 x 118 cm
  c. 1585 Oil on canvas, 237 x 118 cm

Height    Width


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GRECO, El St Francis Praying oil on canvas


St Francis Praying
St Francis Praying
Painting ID::  43791
  Oil on canvas, 116 x 102 cm
  Oil on canvas, 116 x 102 cm

Height    Width


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GRECO, El St Peter in Penitence oil on canvas


St Peter in Penitence
St Peter in Penitence
Painting ID::  43792
  1580s Oil on canvas, 109 x 90 cm
  1580s Oil on canvas, 109 x 90 cm

Height    Width


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GRECO, El Christ on the Cross with the Two Maries and St John oil on canvas


Christ on the Cross with the Two Maries and St John
Christ on the Cross with the Two Maries and St John
Painting ID::  43793
  c. 1588 Oil on canvas, 120 x 80 cm
  c. 1588 Oil on canvas, 120 x 80 cm

Height    Width


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GRECO, El St Francis Receiving the Stigmata oil on canvas


St Francis Receiving the Stigmata
St Francis Receiving the Stigmata
Painting ID::  43794
  1585-90 Oil on canvas, 102 x 97 cm
  1585-90 Oil on canvas, 102 x 97 cm

Height    Width


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     GRECO, El
     Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,

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