All GRECO, El Oil Paintings

Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,
 
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GRECO, El Saint Francis Receiving the Stigmata oil on canvas


Saint Francis Receiving the Stigmata
Saint Francis Receiving the Stigmata
Painting ID::  43795 		  1585-90 Oil on canvas, 105 x 80 cm
  1585-90 Oil on canvas, 105 x 80 cm

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GRECO, El St Francis in Prayer before the Crucifix oil on canvas


St Francis in Prayer before the Crucifix
St Francis in Prayer before the Crucifix
Painting ID::  43796 		  1585-90 Oil on canvas, 105,5 x 86,5 cm
  1585-90 Oil on canvas, 105,5 x 86,5 cm

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GRECO, El Mary Magdalen in Penitence oil on canvas


Mary Magdalen in Penitence
Mary Magdalen in Penitence
Painting ID::  43797 		  1585-90 Oil on canvas, 109 x 96 cm
  1585-90 Oil on canvas, 109 x 96 cm

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GRECO, El St Dominic in Prayer oil on canvas


St Dominic in Prayer
St Dominic in Prayer
Painting ID::  43798 		  1586-90 Oil on canvas, 118 x 86 cm
  1586-90 Oil on canvas, 118 x 86 cm

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GRECO, El The Burial of the Count of Orgaz oil on canvas


The Burial of the Count of Orgaz
The Burial of the Count of Orgaz
Painting ID::  43799 		  1586-88 Oil on canvas, 480 x 360 cm
  1586-88 Oil on canvas, 480 x 360 cm

Height    Width


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     GRECO, El
     Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,

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