All Georg Flegel Oil Paintings

1566-1638 Georg Flegel Location German painter. He was the son of a shoemaker, and not being a Roman Catholic, probably moved to Vienna after 1580, when the Counter-Reformation began to take effect in Olmetz. In Vienna he became the assistant of Lucas van Valckenborch I, whom he subsequently followed to Frankfurt, then an important centre for art dealing and publishing. He filled in staffage in van Valckenborch pictures of the seasons and portraits, inserting fruit, table utensils and flowers as still-life set pieces. His faithful reproduction of flowers and fruit drew on watercolours by Derer, still-life painters from the Netherlands living in Frankfurt, and botanical and zoological illustrations by Joris Hoefnagel, Pieter van der Borcht IV and Carolus Clusius (1525-1609) then being published in Frankfurt.
 

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Georg Flegel Grobe Mahlzeitdarstellung oil on canvas


Grobe Mahlzeitdarstellung
Grobe Mahlzeitdarstellung
Painting ID::  74679
  1638 29,5x46cm cjr
  1638 29,5x46cm cjr

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Georg Flegel Abendmahlzeit bei Kerzenschein oil on canvas


Abendmahlzeit bei Kerzenschein
Abendmahlzeit bei Kerzenschein
Painting ID::  75431
  35,5x25cm cjr
  35,5x25cm cjr

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Georg Flegel Kerzenstilleben oil on canvas


Kerzenstilleben
Kerzenstilleben
Painting ID::  75438
  Öl auf Buchenholz 21,9x15,8cm cjr
  Öl auf Buchenholz 21,9x15,8cm cjr

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Georg Flegel Still life with Parrot oil on canvas


Still life with Parrot
Still life with Parrot
Painting ID::  75794
  undated (16th or 17th century) Medium Oil on canvas Dimensions 78 x 67 cm cyf
  undated (16th or 17th century) Medium Oil on canvas Dimensions 78 x 67 cm cyf

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Georg Flegel Stilleben mit Brot und Zuckerwerk oil on canvas


Stilleben mit Brot und Zuckerwerk
Stilleben mit Brot und Zuckerwerk
Painting ID::  76142
  Medium Oil on panel Dimensions 21,9x17,1cm cyf
  Medium Oil on panel Dimensions 21,9x17,1cm cyf

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     Georg Flegel
     1566-1638 Georg Flegel Location German painter. He was the son of a shoemaker, and not being a Roman Catholic, probably moved to Vienna after 1580, when the Counter-Reformation began to take effect in Olmetz. In Vienna he became the assistant of Lucas van Valckenborch I, whom he subsequently followed to Frankfurt, then an important centre for art dealing and publishing. He filled in staffage in van Valckenborch pictures of the seasons and portraits, inserting fruit, table utensils and flowers as still-life set pieces. His faithful reproduction of flowers and fruit drew on watercolours by Derer, still-life painters from the Netherlands living in Frankfurt, and botanical and zoological illustrations by Joris Hoefnagel, Pieter van der Borcht IV and Carolus Clusius (1525-1609) then being published in Frankfurt.

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