All Gerard David Oil Paintings

b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.
 

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Gerard David The Flaying of the Corrupt Judge Sisamnes (mk45) oil on canvas


The Flaying of the Corrupt Judge Sisamnes (mk45)
The Flaying of the Corrupt Judge Sisamnes (mk45)
Painting ID::  25925
  1498/99 Oil on panel 182x159cm Bruges,Groenigemuseum
  1498/99 Oil on panel 182x159cm Bruges,Groenigemuseum

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Gerard David Virgo inter Virgines oil on canvas


Virgo inter Virgines
Virgo inter Virgines
Painting ID::  26730
  mk52 c.1509 Oil on wood 120x213cm Musee des Beaux-Arts,Rouen
  mk52 c.1509 Oil on wood 120x213cm Musee des Beaux-Arts,Rouen

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Gerard David Detail from the Virtgo ivter Virgines oil on canvas


Detail from the Virtgo ivter Virgines
Detail from the Virtgo ivter Virgines
Painting ID::  26731
  mk52
  mk52

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Gerard David Rest on the Flight into Egypt oil on canvas


Rest on the Flight into Egypt
Rest on the Flight into Egypt
Painting ID::  28144
  mk61 Oil on canvas 60x39cm
  mk61 Oil on canvas 60x39cm

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Gerard David The Virgin Embracing the Dead Christ oil on canvas


The Virgin Embracing the Dead Christ
The Virgin Embracing the Dead Christ
Painting ID::  29183
  mk65 Oil on panel 14x17'
  mk65 Oil on panel 14x17'

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     Gerard David
     b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.

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