All Giorgio Vasari Oil Paintings

1511-74 Italian painter, architect, and writer. Though he was a prolific painter in the Mannerist style, he is more highly regarded as an architect (he designed the Uffizi Palace, now the Uffizi Gallery), but even his architecture is overshadowed by his writings. His Lives of the Most Eminent Architects, Painters, and Sculptors (1550) offers biographies of early to late Renaissance artists. His style is eminently readable and his material is well researched, though when facts were scarce he did not hesitate to fill in the gaps. In his view, Giotto had revived the art of true representation after its decline in the early Middle Ages, and succeeding artists had brought that art progressively closer to the perfection achieved by Michelangelo.
 

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Giorgio Vasari The Garden of Gethsemane oil on canvas


The Garden of Gethsemane
The Garden of Gethsemane
Painting ID::  81960
  Date ca. 1570(1570) Medium Oil on canvas Dimensions 143.5 x 127 cm (56.5 x 50 in) cjr
  Date ca. 1570(1570) Medium Oil on canvas Dimensions 143.5 x 127 cm (56.5 x 50 in) cjr

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Giorgio Vasari Vulcan's Forge oil on canvas


Vulcan's Forge
Vulcan's Forge
Painting ID::  82174
  Date 1567-68 Medium Oil on canvas Dimensions 38 x 28 cm cjr
  Date 1567-68 Medium Oil on canvas Dimensions 38 x 28 cm cjr

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Giorgio Vasari Vulcans Forge oil on canvas


Vulcans Forge
Vulcans Forge
Painting ID::  85787
  1567-68 Medium Oil on canvas <-?->Oil on copper cyf
  1567-68 Medium Oil on canvas <-?->Oil on copper cyf

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Giorgio Vasari The Annunciation oil on canvas


The Annunciation
The Annunciation
Painting ID::  89769
  between 1564(1564) and 1567(1567) Medium oil on panel cyf
  between 1564(1564) and 1567(1567) Medium oil on panel cyf

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Giorgio Vasari Perseus and Andromeda oil on canvas


Perseus and Andromeda
Perseus and Andromeda
Painting ID::  89809
  between 1570(1570) and 1572(1572) Medium oil on slate cyf
  between 1570(1570) and 1572(1572) Medium oil on slate cyf

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     Giorgio Vasari
     1511-74 Italian painter, architect, and writer. Though he was a prolific painter in the Mannerist style, he is more highly regarded as an architect (he designed the Uffizi Palace, now the Uffizi Gallery), but even his architecture is overshadowed by his writings. His Lives of the Most Eminent Architects, Painters, and Sculptors (1550) offers biographies of early to late Renaissance artists. His style is eminently readable and his material is well researched, though when facts were scarce he did not hesitate to fill in the gaps. In his view, Giotto had revived the art of true representation after its decline in the early Middle Ages, and succeeding artists had brought that art progressively closer to the perfection achieved by Michelangelo.

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