All Giorgio Vasari Oil Paintings

1511-74 Italian painter, architect, and writer. Though he was a prolific painter in the Mannerist style, he is more highly regarded as an architect (he designed the Uffizi Palace, now the Uffizi Gallery), but even his architecture is overshadowed by his writings. His Lives of the Most Eminent Architects, Painters, and Sculptors (1550) offers biographies of early to late Renaissance artists. His style is eminently readable and his material is well researched, though when facts were scarce he did not hesitate to fill in the gaps. In his view, Giotto had revived the art of true representation after its decline in the early Middle Ages, and succeeding artists had brought that art progressively closer to the perfection achieved by Michelangelo.
 

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Giorgio Vasari The Annunciation oil on canvas


The Annunciation
The Annunciation
Painting ID::  90325
  between 1570(1570) and 1571(1571) Medium oil on poplar cyf
  between 1570(1570) and 1571(1571) Medium oil on poplar cyf

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Giorgio Vasari The Nativity oil on canvas


The Nativity
The Nativity
Painting ID::  92672
  Date c. 1546(1546) Medium oil on canvas ttd
  Date c. 1546(1546) Medium oil on canvas ttd

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Giorgio Vasari The Mutiliation of Uranus by Saturn oil on canvas


The Mutiliation of Uranus by Saturn
The Mutiliation of Uranus by Saturn
Painting ID::  94915
  ? TTD
  ? TTD

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Giorgio Vasari Justice oil on canvas


Justice
Justice
Painting ID::  96269
  1542(1542) Medium oil on panel cyf
  1542(1542) Medium oil on panel cyf

Height    Width


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     Giorgio Vasari
     1511-74 Italian painter, architect, and writer. Though he was a prolific painter in the Mannerist style, he is more highly regarded as an architect (he designed the Uffizi Palace, now the Uffizi Gallery), but even his architecture is overshadowed by his writings. His Lives of the Most Eminent Architects, Painters, and Sculptors (1550) offers biographies of early to late Renaissance artists. His style is eminently readable and his material is well researched, though when facts were scarce he did not hesitate to fill in the gaps. In his view, Giotto had revived the art of true representation after its decline in the early Middle Ages, and succeeding artists had brought that art progressively closer to the perfection achieved by Michelangelo.

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