All Giovanni Antonio Boltraffio Oil Paintings

was an Italian painter of the High Renaissance from Lombardy, who worked in the studio of Leonardo da Vinci.[2] Boltraffio and Bernardino Luini are the strongest artistic personalities to emerge from Leonardo's studio. According to Giorgio Vasari, he was of an aristocratic family and was born in Milan. His major painting of the 1490s is the Resurrection (painted with fellow da Vinci pupil Marco d'Oggiono and now in the Gemäldegalerie, Berlin). A Madonna and Child in the Museo Poldi Pezzoli of Milan, is one of the high points of the Lombard Quattrocento. His portraits, often in profile, and his half-length renderings of the Madonna and Child are Leonardesque in conception, though the clean hard edges of his outlines lack Leonardo's sfumato. In Bologna, where he remained in 1500-1502, he found sympathetic patrons in the Casio family, of whom he painted several portraits and for whom he produced his masterwork, the Pala Casio for the Church of the Misericordia (Louvre Museum); it depicts a Madonna and Child with John the Baptist and Saint Sebastian and two Kneeling Donors, Giacomo Marchione de' Pandolfi da Casio and his son, the Bolognese poet Girolamo Casio[3], who mentioned Boltraffio in some of his sonnets. Boltraffio's portrait of Girolamo Casio is at the Pinacoteca di Brera, Milan.
 
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Giovanni Antonio Boltraffio St. Sebastian, detail from a Madona with Child, St. Sebastian, St. John the Baptist and two donors oil on canvas


St. Sebastian, detail from a Madona with Child, St. Sebastian, St. John the Baptist and two donors
St. Sebastian, detail from a Madona with Child, St. Sebastian, St. John the Baptist and two donors
Painting ID::  84672 		  Oil on wood, 1500. Dimensions H. (total) 1.86 m (6 ft. 1 in.) cjr
  Oil on wood, 1500. Dimensions H. (total) 1.86 m (6 ft. 1 in.) cjr

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Giovanni Antonio Boltraffio Virgin and Child oil on canvas


Virgin and Child
Virgin and Child
Painting ID::  86947 		  between 1493(1493) and 1499(1499) Medium Oil on wood cyf
  between 1493(1493) and 1499(1499) Medium Oil on wood cyf

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Giovanni Antonio Boltraffio Virgin and Child with Sts John the Baptist and Sebastian oil on canvas


Virgin and Child with Sts John the Baptist and Sebastian
Virgin and Child with Sts John the Baptist and Sebastian
Painting ID::  87004 		  1500(1500) Medium Oil on poplar cyf
  1500(1500) Medium Oil on poplar cyf

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Giovanni Antonio Boltraffio Maria mit dem Kind oil on canvas


Maria mit dem Kind
Maria mit dem Kind
Painting ID::  88141 		  c. 1500(1500) Medium Oil on panel Dimensions 83 x 63.5 cm (32.7 x 25 in) cjr
  c. 1500(1500) Medium Oil on panel Dimensions 83 x 63.5 cm (32.7 x 25 in) cjr

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Giovanni Antonio Boltraffio Baptist and two donors oil on canvas


Baptist and two donors
Baptist and two donors
Painting ID::  88570 		  Oil on wood, 1500 cyf
  Oil on wood, 1500 cyf

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     Giovanni Antonio Boltraffio
     was an Italian painter of the High Renaissance from Lombardy, who worked in the studio of Leonardo da Vinci.[2] Boltraffio and Bernardino Luini are the strongest artistic personalities to emerge from Leonardo's studio. According to Giorgio Vasari, he was of an aristocratic family and was born in Milan. His major painting of the 1490s is the Resurrection (painted with fellow da Vinci pupil Marco d'Oggiono and now in the Gemäldegalerie, Berlin). A Madonna and Child in the Museo Poldi Pezzoli of Milan, is one of the high points of the Lombard Quattrocento. His portraits, often in profile, and his half-length renderings of the Madonna and Child are Leonardesque in conception, though the clean hard edges of his outlines lack Leonardo's sfumato. In Bologna, where he remained in 1500-1502, he found sympathetic patrons in the Casio family, of whom he painted several portraits and for whom he produced his masterwork, the Pala Casio for the Church of the Misericordia (Louvre Museum); it depicts a Madonna and Child with John the Baptist and Saint Sebastian and two Kneeling Donors, Giacomo Marchione de' Pandolfi da Casio and his son, the Bolognese poet Girolamo Casio[3], who mentioned Boltraffio in some of his sonnets. Boltraffio's portrait of Girolamo Casio is at the Pinacoteca di Brera, Milan.

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