All Giovanni Battista Tiepolo Oil Paintings

Italian Rococo Era Painter, 1696-1770 Giovanni Battista Tiepolo was born in Venice on March 5, 1696. His father, who was part owner of a ship, died when Tiepolo was scarcely a year old, but the family was left in comfortable circumstances. As a youth, he was apprenticed to Gregorio Lazzarini, a mediocre but fashionable painter known for his elaborately theatrical, rather grandiose compositions. Tiepolo soon evolved a more spirited style of his own. By the time he was 20, he had exhibited his work independently, and won plaudits, at an exhibition held at the church of S. Rocco. The next year he became a member of the Fraglia, or painters guild. In 1719 he married Cecilia Guardi, whose brother Francesco was to become famous as a painter of the Venetian scene. They had nine children, among them Giovanni Domenico and Lorenzo Baldassare, who were also painters. In the 1720s Tiepolo carried out many large-scale commissions on the northern Italian mainland. Of these the most important is the cycle of Old Testament scenes done for the patriarch of Aquileia, Daniele Dolfin, in the new Archbishop Palace at Udine. Here Tiepolo abandoned the dark hues that had characterized his early style and turned instead to the bright, sparkling colors that were to make him famous.
 
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Giovanni Battista Tiepolo Le martyr de Saint Barthelemy Huile oil on canvas


Le martyr de Saint Barthelemy Huile
Le martyr de Saint Barthelemy Huile
Painting ID::  71959 		  Le martyr de Saint Barthelemy Huile 1722 par Giovanni Tiepolo, San Stae, Venise
  Le martyr de Saint Barthelemy Huile 1722 par Giovanni Tiepolo, San Stae, Venise

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Giovanni Battista Tiepolo The Apotheosis of Saint Roch oil on canvas


The Apotheosis of Saint Roch
The Apotheosis of Saint Roch
Painting ID::  72962 		  "The Apotheosis of Saint Roch," oil on canvas, by the Italian artist Giovanni Battista Tiepolo. 16 1/8 in. x 13 3/8 in. Yale University Art Gallery, gift of the associates of fine arts. Courtesy of Yale University, New Haven, Conn. cjr
  "The Apotheosis of Saint Roch," oil on canvas, by the Italian artist Giovanni Battista Tiepolo. 16 1/8 in. x 13 3/8 in. Yale University Art Gallery, gift of the associates of fine arts. Courtesy of Yale University, New Haven, Conn. cjr

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Giovanni Battista Tiepolo Saint barthelemy oil on canvas


Saint barthelemy
Saint barthelemy
Painting ID::  73376 		  Date of birth/death 5 March 1696(1696-03-05) 27 March 1770 cyf
  Date of birth/death 5 March 1696(1696-03-05) 27 March 1770 cyf

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Giovanni Battista Tiepolo Junge Frau mit Papagei oil on canvas


Junge Frau mit Papagei
Junge Frau mit Papagei
Painting ID::  74987 		  c. 1758-1760 Oil on canvas cjr
  c. 1758-1760 Oil on canvas cjr

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Giovanni Battista Tiepolo Junge Frau mit Papagei oil on canvas


Junge Frau mit Papagei
Junge Frau mit Papagei
Painting ID::  76744 		  English: c. 1758-1760 Medium Oil on canvas cyf
  English: c. 1758-1760 Medium Oil on canvas cyf

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     Giovanni Battista Tiepolo
     Italian Rococo Era Painter, 1696-1770 Giovanni Battista Tiepolo was born in Venice on March 5, 1696. His father, who was part owner of a ship, died when Tiepolo was scarcely a year old, but the family was left in comfortable circumstances. As a youth, he was apprenticed to Gregorio Lazzarini, a mediocre but fashionable painter known for his elaborately theatrical, rather grandiose compositions. Tiepolo soon evolved a more spirited style of his own. By the time he was 20, he had exhibited his work independently, and won plaudits, at an exhibition held at the church of S. Rocco. The next year he became a member of the Fraglia, or painters guild. In 1719 he married Cecilia Guardi, whose brother Francesco was to become famous as a painter of the Venetian scene. They had nine children, among them Giovanni Domenico and Lorenzo Baldassare, who were also painters. In the 1720s Tiepolo carried out many large-scale commissions on the northern Italian mainland. Of these the most important is the cycle of Old Testament scenes done for the patriarch of Aquileia, Daniele Dolfin, in the new Archbishop Palace at Udine. Here Tiepolo abandoned the dark hues that had characterized his early style and turned instead to the bright, sparkling colors that were to make him famous.

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