All Giovanni Battista Tiepolo Oil Paintings

Italian Rococo Era Painter, 1696-1770 Giovanni Battista Tiepolo was born in Venice on March 5, 1696. His father, who was part owner of a ship, died when Tiepolo was scarcely a year old, but the family was left in comfortable circumstances. As a youth, he was apprenticed to Gregorio Lazzarini, a mediocre but fashionable painter known for his elaborately theatrical, rather grandiose compositions. Tiepolo soon evolved a more spirited style of his own. By the time he was 20, he had exhibited his work independently, and won plaudits, at an exhibition held at the church of S. Rocco. The next year he became a member of the Fraglia, or painters guild. In 1719 he married Cecilia Guardi, whose brother Francesco was to become famous as a painter of the Venetian scene. They had nine children, among them Giovanni Domenico and Lorenzo Baldassare, who were also painters. In the 1720s Tiepolo carried out many large-scale commissions on the northern Italian mainland. Of these the most important is the cycle of Old Testament scenes done for the patriarch of Aquileia, Daniele Dolfin, in the new Archbishop Palace at Udine. Here Tiepolo abandoned the dark hues that had characterized his early style and turned instead to the bright, sparkling colors that were to make him famous.
 

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Giovanni Battista Tiepolo The Apotheosis of Admiral Vittor Pisani oil on canvas


The Apotheosis of Admiral Vittor Pisani
The Apotheosis of Admiral Vittor Pisani
Painting ID::  86325
  1743(1743) Medium Oil on canvas Dimensions 41 x 72 cm (16.1 x 28.3 in) cyf
  1743(1743) Medium Oil on canvas Dimensions 41 x 72 cm (16.1 x 28.3 in) cyf

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Giovanni Battista Tiepolo Danae und Zeus oil on canvas


Danae und Zeus
Danae und Zeus
Painting ID::  86460
  c. 1736 Medium Oil on canvas Dimensions Deutsch: 41 x 53 cm cjr
  c. 1736 Medium Oil on canvas Dimensions Deutsch: 41 x 53 cm cjr

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Giovanni Battista Tiepolo Neptun bietet der Stadt Venedig Opfergaben oil on canvas


Neptun bietet der Stadt Venedig Opfergaben
Neptun bietet der Stadt Venedig Opfergaben
Painting ID::  86750
  Date 1748-1750 Medium Oil on canvas Dimensions Deutsch: 135 x 275 cm cjr
  Date 1748-1750 Medium Oil on canvas Dimensions Deutsch: 135 x 275 cm cjr

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Giovanni Battista Tiepolo Treffen von Marc Antonius und Kleopatra oil on canvas


Treffen von Marc Antonius und Kleopatra
Treffen von Marc Antonius und Kleopatra
Painting ID::  87550
  Date 1747-1749 Medium Oil on canvas cjr
  Date 1747-1749 Medium Oil on canvas cjr

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Giovanni Battista Tiepolo Hannibal betrachtet den Kopf des Hasdrubal, aus Gemaldezyklus zur romischen Geschichte fur den Palazzo Dolfin in Venedig oil on canvas


Hannibal betrachtet den Kopf des Hasdrubal, aus Gemaldezyklus zur romischen Geschichte fur den Palazzo Dolfin in Venedig
Hannibal betrachtet den Kopf des Hasdrubal, aus Gemaldezyklus zur romischen Geschichte fur den Palazzo Dolfin in Venedig
Painting ID::  87551
  c. 1725-1730 Medium Oil on canvas Dimensions Deutsch: 383 x 182 cm cjr
  c. 1725-1730 Medium Oil on canvas Dimensions Deutsch: 383 x 182 cm cjr

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     Giovanni Battista Tiepolo
     Italian Rococo Era Painter, 1696-1770 Giovanni Battista Tiepolo was born in Venice on March 5, 1696. His father, who was part owner of a ship, died when Tiepolo was scarcely a year old, but the family was left in comfortable circumstances. As a youth, he was apprenticed to Gregorio Lazzarini, a mediocre but fashionable painter known for his elaborately theatrical, rather grandiose compositions. Tiepolo soon evolved a more spirited style of his own. By the time he was 20, he had exhibited his work independently, and won plaudits, at an exhibition held at the church of S. Rocco. The next year he became a member of the Fraglia, or painters guild. In 1719 he married Cecilia Guardi, whose brother Francesco was to become famous as a painter of the Venetian scene. They had nine children, among them Giovanni Domenico and Lorenzo Baldassare, who were also painters. In the 1720s Tiepolo carried out many large-scale commissions on the northern Italian mainland. Of these the most important is the cycle of Old Testament scenes done for the patriarch of Aquileia, Daniele Dolfin, in the new Archbishop Palace at Udine. Here Tiepolo abandoned the dark hues that had characterized his early style and turned instead to the bright, sparkling colors that were to make him famous.

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