All Giovanni Paolo Pannini Oil Paintings

1691-1765 Italian Giovanni Paolo Pannini Galleries Italian painter. After gaining fame for his fresco painting, he specialized in Roman topography and became the foremost artist in that field in the 18th century. His real and imaginary views of ancient Roman ruins embody precise observation and tender nostalgia and combine elements of late classical Baroque art with incipient Romanticism. His work was popular both with tourists and his peers: he was admitted to the Acad??mie Française in 1732 and became its professor of perspective.
 
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Giovanni Paolo Pannini Roman Ruins with Figures oil on canvas


Roman Ruins with Figures
Roman Ruins with Figures
Painting ID::  43282 		  mk170 circa 1730 Oil on canvas 49.5x63.5cm
  mk170 circa 1730 Oil on canvas 49.5x63.5cm

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Giovanni Paolo Pannini Capriccio of Classical Ruins oil on canvas


Capriccio of Classical Ruins
Capriccio of Classical Ruins
Painting ID::  43700 		  1725-30 Oil on canvas, 123 x 132 cm
  1725-30 Oil on canvas, 123 x 132 cm

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Giovanni Paolo Pannini Interior of the Santa Maria Maggiore in Rome oil on canvas


Interior of the Santa Maria Maggiore in Rome
Interior of the Santa Maria Maggiore in Rome
Painting ID::  51208 		  c. 1730 Oil on canvas, 78 x 90 cm
  c. 1730 Oil on canvas, 78 x 90 cm

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Giovanni Paolo Pannini Detail of the Annunciation oil on canvas


Detail of the Annunciation
Detail of the Annunciation
Painting ID::  51744 		  nn09 c.1445 Wood 40x46cm
  nn09 c.1445 Wood 40x46cm

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Giovanni Paolo Pannini St. Peter Basilica, from the entrance oil on canvas


St. Peter Basilica, from the entrance
St. Peter Basilica, from the entrance
Painting ID::  60008 		  St. Peter's Basilica, from the entrance
  St. Peter's Basilica, from the entrance

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     Giovanni Paolo Pannini
     1691-1765 Italian Giovanni Paolo Pannini Galleries Italian painter. After gaining fame for his fresco painting, he specialized in Roman topography and became the foremost artist in that field in the 18th century. His real and imaginary views of ancient Roman ruins embody precise observation and tender nostalgia and combine elements of late classical Baroque art with incipient Romanticism. His work was popular both with tourists and his peers: he was admitted to the Acad??mie Française in 1732 and became its professor of perspective.

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