All Giovanni Paolo Pannini Oil Paintings

1691-1765 Italian Giovanni Paolo Pannini Galleries Italian painter. After gaining fame for his fresco painting, he specialized in Roman topography and became the foremost artist in that field in the 18th century. His real and imaginary views of ancient Roman ruins embody precise observation and tender nostalgia and combine elements of late classical Baroque art with incipient Romanticism. His work was popular both with tourists and his peers: he was admitted to the Acad??mie Française in 1732 and became its professor of perspective.
 
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Giovanni Paolo Pannini Picture Gallery with Views of Modern Rome oil on canvas


Picture Gallery with Views of Modern Rome
Picture Gallery with Views of Modern Rome
Painting ID::  1107 		  1757 Museum of Fine Arts, Boston 67 x 96 1/4 in. / 170 x 244.5 cm
  1757 Museum of Fine Arts, Boston 67 x 96 1/4 in. / 170 x 244.5 cm

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Giovanni Paolo Pannini Views of Ancient Rome oil on canvas


Views of Ancient Rome
Views of Ancient Rome
Painting ID::  1109 		  1758 Musee du Louvre, Paris 90.94 x 119.29 in / 231 x 303 cm
  1758 Musee du Louvre, Paris 90.94 x 119.29 in / 231 x 303 cm

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Giovanni Paolo Pannini Roman Capriccio oil on canvas


Roman Capriccio
Roman Capriccio
Painting ID::  1111 		  1734 Maidstone Museum and Art Gallery, Kent, UK
  1734 Maidstone Museum and Art Gallery, Kent, UK

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Giovanni Paolo Pannini Roma Antica oil on canvas


Roma Antica
Roma Antica
Painting ID::  40567 		  mk156 1758 Oil on canvas 231x303cm
  mk156 1758 Oil on canvas 231x303cm

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Giovanni Paolo Pannini Picture Gallery with views of Modern Rome oil on canvas


Picture Gallery with views of Modern Rome
Picture Gallery with views of Modern Rome
Painting ID::  40568 		  mk156 1759 Oil on canvas 231x303cm
  mk156 1759 Oil on canvas 231x303cm

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     Giovanni Paolo Pannini
     1691-1765 Italian Giovanni Paolo Pannini Galleries Italian painter. After gaining fame for his fresco painting, he specialized in Roman topography and became the foremost artist in that field in the 18th century. His real and imaginary views of ancient Roman ruins embody precise observation and tender nostalgia and combine elements of late classical Baroque art with incipient Romanticism. His work was popular both with tourists and his peers: he was admitted to the Acad??mie Française in 1732 and became its professor of perspective.

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