All Gustav Klimt Oil Paintings

Austrian Art Nouveau Painter, 1862-1918 Gustav Klimt (July 14, 1862 ?C February 6, 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil. Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907?C1908), and especially in Danaë (1907). One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht D??rer, late medieval European painting, and Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey psychological ideas and emphasize the "freedom" of art from traditional culture.
 

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Gustav Klimt beethovenfrisen oil on canvas


beethovenfrisen
beethovenfrisen
Painting ID::  65261
  langtan efter lycka fiiner ro i poesin. 1902 wien osterreichische galerie se
  langtan efter lycka fiiner ro i poesin. 1902 wien osterreichische galerie se

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Gustav Klimt beethovenfrisen oil on canvas


beethovenfrisen
beethovenfrisen
Painting ID::  65262
  langtan efter lycka fiiner ro i poesin. 1902 wien osterreichische galerie se
  langtan efter lycka fiiner ro i poesin. 1902 wien osterreichische galerie se

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Gustav Klimt hoppet oil on canvas


hoppet
hoppet
Painting ID::  65263
  1903. ottawa, national gallery of canada 181x67cm, kompositionen ar grundad pa sammanstallningen av realismen i den nakna kvinnogestalten och vatten figurens obestambarhet. se
  1903. ottawa, national gallery of canada 181x67cm, kompositionen ar grundad pa sammanstallningen av realismen i den nakna kvinnogestalten och vatten figurens obestambarhet. se

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Gustav Klimt parontrad oil on canvas


parontrad
parontrad
Painting ID::  65264
  1903, cambridge. fogg art museum, harvard university 100x100cm se
  1903, cambridge. fogg art museum, harvard university 100x100cm se

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Gustav Klimt bondgard med bjorkar oil on canvas


bondgard med bjorkar
bondgard med bjorkar
Painting ID::  65265
  1903, wien, osterreichische galerie 110x110cm se
  1903, wien, osterreichische galerie 110x110cm se

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     Gustav Klimt
     Austrian Art Nouveau Painter, 1862-1918 Gustav Klimt (July 14, 1862 ?C February 6, 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil. Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907?C1908), and especially in Danaë (1907). One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht D??rer, late medieval European painting, and Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey psychological ideas and emphasize the "freedom" of art from traditional culture.

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