All Gustave Courbet Oil Paintings

1819-1877 French Gustave Courbet Locations was a French painter whose powerful pictures of peasants and scenes of everyday life established him as the leading figure of the realist movement of the mid-19th century. Gustave Courbet was born at Ornans on June 10, 1819. He appears to have inherited his vigorous temperament from his father, a landowner and prominent personality in the Franche-Comte region. At the age of 18 Gustave went to the College Royal at Besancon. There he openly expressed his dissatisfaction with the traditional classical subjects he was obliged to study, going so far as to lead a revolt among the students. In 1838 he was enrolled as an externe and could simultaneously attend the classes of Charles Flajoulot, director of the ecole des Beaux-Arts. At the college in Besançon, Courbet became fast friends with Max Buchon, whose Essais Poetiques (1839) he illustrated with four lithographs. In 1840 Courbet went to Paris to study law, but he decided to become a painter and spent much time copying in the Louvre. In 1844 his Self-Portrait with Black Dog was exhibited at the Salon. The following year he submitted five pictures; only one, Le Guitarrero, was accepted. After a complete rejection in 1847, the Liberal Jury of 1848 accepted all 10 of his entries, and the critic Champfleury, who was to become Courbet first staunch apologist, highly praised the Walpurgis Night.
 

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Gustave Courbet Rehbock im Wald oil on canvas


Rehbock im Wald
Rehbock im Wald
Painting ID::  90115
  1867(1867) Medium oil on canvas Dimensions 94 x 131 cm cyf
  1867(1867) Medium oil on canvas Dimensions 94 x 131 cm cyf

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Gustave Courbet Bauern von Flagey bei der Ruckkehr vom Markt oil on canvas


Bauern von Flagey bei der Ruckkehr vom Markt
Bauern von Flagey bei der Ruckkehr vom Markt
Painting ID::  90309
  1850(1850) Medium oil on canvas Dimensions 208,5 x 275,5 cm cyf
  1850(1850) Medium oil on canvas Dimensions 208,5 x 275,5 cm cyf

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Gustave Courbet The Greyhounds of the Comte de Choiseul oil on canvas


The Greyhounds of the Comte de Choiseul
The Greyhounds of the Comte de Choiseul
Painting ID::  90419
  1866(1866) Medium oil on canvas Dimensions 89.5 x 116.5 cm (35.2 x 45.9 in) cyf
  1866(1866) Medium oil on canvas Dimensions 89.5 x 116.5 cm (35.2 x 45.9 in) cyf

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Gustave Courbet Baigneuse oil on canvas


Baigneuse
Baigneuse
Painting ID::  90577
  Oil on canvas 90x72 cm circa 1866-1868 cjr
  Oil on canvas 90x72 cm circa 1866-1868 cjr

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Gustave Courbet Still Life with Apples and a Pomegranate oil on canvas


Still Life with Apples and a Pomegranate
Still Life with Apples and a Pomegranate
Painting ID::  90590
  1871(1871) Medium oil on canvas Dimensions 44 x 61 cm (17.3 x 24 in) cyf
  1871(1871) Medium oil on canvas Dimensions 44 x 61 cm (17.3 x 24 in) cyf

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     Gustave Courbet
     1819-1877 French Gustave Courbet Locations was a French painter whose powerful pictures of peasants and scenes of everyday life established him as the leading figure of the realist movement of the mid-19th century. Gustave Courbet was born at Ornans on June 10, 1819. He appears to have inherited his vigorous temperament from his father, a landowner and prominent personality in the Franche-Comte region. At the age of 18 Gustave went to the College Royal at Besancon. There he openly expressed his dissatisfaction with the traditional classical subjects he was obliged to study, going so far as to lead a revolt among the students. In 1838 he was enrolled as an externe and could simultaneously attend the classes of Charles Flajoulot, director of the ecole des Beaux-Arts. At the college in Besançon, Courbet became fast friends with Max Buchon, whose Essais Poetiques (1839) he illustrated with four lithographs. In 1840 Courbet went to Paris to study law, but he decided to become a painter and spent much time copying in the Louvre. In 1844 his Self-Portrait with Black Dog was exhibited at the Salon. The following year he submitted five pictures; only one, Le Guitarrero, was accepted. After a complete rejection in 1847, the Liberal Jury of 1848 accepted all 10 of his entries, and the critic Champfleury, who was to become Courbet first staunch apologist, highly praised the Walpurgis Night.

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