All Hans Baluschek Oil Paintings

German, 1870-1935,German illustrator, painter, and writer, known for his graphic depictions of the proletarian milieu and hard life in big cities. Baluschek was also a renowned illustrator of fairy tales and produced superb illustrations for five books in the series Deutsche Marchenbucherei published by the Klemm Verlag between 1878 and 1923: Peterchens Mondfahrt (Little Peter's Flight to the Moon, 1915), Pips der Pilz. Ein Wald?\ und Weihnachtsmarchen (Pips the Mushroom: A Forest and Christmas Fairy Tale, 1920), Prinzessin Huschewind (Princess Hush Wind, 1922), and Ins Marchenland (Into Fairyland, 1922). He employed aquarelles and oils to form unusual and bizarre characters and also used ink to create the text.
 

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Hans Baluschek Grobstadtwinkel oil on canvas


Grobstadtwinkel
Grobstadtwinkel
Painting ID::  73610
  Ol auf Leinwand; 170,5 x 125 cm Date 1929 cyf
  Ol auf Leinwand; 170,5 x 125 cm Date 1929 cyf

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Hans Baluschek Hans Baluschek Karl Ferdinand Braun oil on canvas


Hans Baluschek Karl Ferdinand Braun
Hans Baluschek Karl Ferdinand Braun
Painting ID::  80050
  oil on canvas; 120 x 184 cm Date 1927(1927) cjr
  oil on canvas; 120 x 184 cm Date 1927(1927) cjr

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Hans Baluschek Grobstadtbahnhof oil on canvas


Grobstadtbahnhof
Grobstadtbahnhof
Painting ID::  85467
  oil on canvas, destroyed Date 1904(1904) cyf
  oil on canvas, destroyed Date 1904(1904) cyf

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Hans Baluschek Kohlenfuhren oil on canvas


Kohlenfuhren
Kohlenfuhren
Painting ID::  86231
  oil on canvas cyf
  oil on canvas cyf

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     Hans Baluschek
     German, 1870-1935,German illustrator, painter, and writer, known for his graphic depictions of the proletarian milieu and hard life in big cities. Baluschek was also a renowned illustrator of fairy tales and produced superb illustrations for five books in the series Deutsche Marchenbucherei published by the Klemm Verlag between 1878 and 1923: Peterchens Mondfahrt (Little Peter's Flight to the Moon, 1915), Pips der Pilz. Ein Wald?\ und Weihnachtsmarchen (Pips the Mushroom: A Forest and Christmas Fairy Tale, 1920), Prinzessin Huschewind (Princess Hush Wind, 1922), and Ins Marchenland (Into Fairyland, 1922). He employed aquarelles and oils to form unusual and bizarre characters and also used ink to create the text.

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