All Hans von Aachen Oil Paintings

was a German mannerist painter. His name is derived from the birth place of his father, Aachen in Germany. Other variations of the name include Johann von - and - von Achen and various concisions like Janachen, Fanachen, Abak, Jean Dac, Aquano, van Aken etc. Hans von Aachen began painting in Germany as a pupil of the Flemish master E. Jerrigh. He then moved to Italy in 1574 to study further. He toured Rome and Florence, but eventually settled in Venice. He initially became a pupil of Kaspar Rems, but soon decided to develop his own mannerist technique, by studying Tintoretto and Michelangelo's followers. However, during all of his life he was influenced by the style of Bartholomeus Spranger and Hendrick Goltzius who dominated the art scene in Germany at the time. He returned to Germany in 1588 where he became well known as a painter of portraits for noble houses. He painted several works for Duke William V of Bavaria. He married Regina, the daughter of the composer Orlando di Lasso in Munich. In Munich he came into contact with the Imperial Court in Prague. In 1592 he was appointed official painter of Rudolph II, Holy Roman Emperor. However, Von Aachen only moved to Prague in 1601, where he stayed painting commissions from Emperor Rudolph II, and later from Matthias I. Amongst van Aachens pupils were Peter Isaak and Joseph Heinz. His works have been copied by Wolfgang Kilian, Dominicus Custos and Jan Sadeler.
 

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Hans von Aachen Le jugement de Paris oil on canvas


Le jugement de Paris
Le jugement de Paris
Painting ID::  72514
  Date 1588(1588) Medium Oil on canvas Dimensions 87.5 X 133 cm (34.45 X 52.36 in) cyf
  Date 1588(1588) Medium Oil on canvas Dimensions 87.5 X 133 cm (34.45 X 52.36 in) cyf

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Hans von Aachen Holy Roman Emperor oil on canvas


Holy Roman Emperor
Holy Roman Emperor
Painting ID::  81881
  1612(1612) Medium Oil on canvas cyf
  1612(1612) Medium Oil on canvas cyf

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Hans von Aachen The Triumph of Truth oil on canvas


The Triumph of Truth
The Triumph of Truth
Painting ID::  86092
  1598(1598) Medium Oil on copper cyf
  1598(1598) Medium Oil on copper cyf

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Hans von Aachen Athena oil on canvas


Athena
Athena
Painting ID::  87882
  1620(1620) Medium Oil on panel Dimensions 48.5 x 40.5 cm (19.1 x 15.9 in) cyf
  1620(1620) Medium Oil on panel Dimensions 48.5 x 40.5 cm (19.1 x 15.9 in) cyf

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Hans von Aachen Pallas Athena, Venus and Juno oil on canvas


Pallas Athena, Venus and Juno
Pallas Athena, Venus and Juno
Painting ID::  93719
  1593(1593) Medium oil on canvas Dimensions 54 x 67 cm (21.3 x 26.4 in) cjr
  1593(1593) Medium oil on canvas Dimensions 54 x 67 cm (21.3 x 26.4 in) cjr

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     Hans von Aachen
     was a German mannerist painter. His name is derived from the birth place of his father, Aachen in Germany. Other variations of the name include Johann von - and - von Achen and various concisions like Janachen, Fanachen, Abak, Jean Dac, Aquano, van Aken etc. Hans von Aachen began painting in Germany as a pupil of the Flemish master E. Jerrigh. He then moved to Italy in 1574 to study further. He toured Rome and Florence, but eventually settled in Venice. He initially became a pupil of Kaspar Rems, but soon decided to develop his own mannerist technique, by studying Tintoretto and Michelangelo's followers. However, during all of his life he was influenced by the style of Bartholomeus Spranger and Hendrick Goltzius who dominated the art scene in Germany at the time. He returned to Germany in 1588 where he became well known as a painter of portraits for noble houses. He painted several works for Duke William V of Bavaria. He married Regina, the daughter of the composer Orlando di Lasso in Munich. In Munich he came into contact with the Imperial Court in Prague. In 1592 he was appointed official painter of Rudolph II, Holy Roman Emperor. However, Von Aachen only moved to Prague in 1601, where he stayed painting commissions from Emperor Rudolph II, and later from Matthias I. Amongst van Aachens pupils were Peter Isaak and Joseph Heinz. His works have been copied by Wolfgang Kilian, Dominicus Custos and Jan Sadeler.

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