All Harriet Backer Oil Paintings

Norwegian Painter, 1845-1932 Norwegian painter. In the 1860s and early 1870s she took lessons in drawing and painting in Christiania (now Oslo) and also travelled extensively in Europe with her sister Agathe, a composer and pianist. She copied works in major museums and took occasional art lessons; she later considered this experience to have been of fundamental importance to her artistic development. Little Red Riding Hood (1872; Oslo, N.G.) is impressive in technique, and the early portrait of her sister, Agathe Backer-Grendahl (1874; Holmestrand, Komm.), shows a refined colour scheme. At the age of nearly 30 Backer decided to train professionally as a painter and in 1874 went to Munich. She was never attached to a particular institution, but the influence of her friend the artist Eilif Peterssen was crucial to her development. In Munich she made a thorough study of perspective, which formed a secure basis for her later work.
 

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Harriet Backer Chez moi oil on canvas


Chez moi
Chez moi
Painting ID::  95826
  Oil painting. Painted 1887. cjr
  Oil painting. Painted 1887. cjr

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Harriet Backer Pa blekevollen oil on canvas


Pa blekevollen
Pa blekevollen
Painting ID::  95827
  Oil painting. Painted 1886-87. cjr
  Oil painting. Painted 1886-87. cjr

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Harriet Backer Bygdeskomakere oil on canvas


Bygdeskomakere
Bygdeskomakere
Painting ID::  95828
  cjr
  cjr

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Harriet Backer Kone som syr oil on canvas


Kone som syr
Kone som syr
Painting ID::  95829
  Oil painting. Painted 1890 cjr
  Oil painting. Painted 1890 cjr

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Harriet Backer Barnedap i Tanum kirke oil on canvas


Barnedap i Tanum kirke
Barnedap i Tanum kirke
Painting ID::  95830
  Painted 1892. Oil on canvas. cjr
  Painted 1892. Oil on canvas. cjr

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     Harriet Backer
     Norwegian Painter, 1845-1932 Norwegian painter. In the 1860s and early 1870s she took lessons in drawing and painting in Christiania (now Oslo) and also travelled extensively in Europe with her sister Agathe, a composer and pianist. She copied works in major museums and took occasional art lessons; she later considered this experience to have been of fundamental importance to her artistic development. Little Red Riding Hood (1872; Oslo, N.G.) is impressive in technique, and the early portrait of her sister, Agathe Backer-Grendahl (1874; Holmestrand, Komm.), shows a refined colour scheme. At the age of nearly 30 Backer decided to train professionally as a painter and in 1874 went to Munich. She was never attached to a particular institution, but the influence of her friend the artist Eilif Peterssen was crucial to her development. In Munich she made a thorough study of perspective, which formed a secure basis for her later work.

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